New Books In Literature

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Sinopsis

Interviews with Writers about their New Books

Episodios

  • Ken Liu, “The Grace of Kings” (Saga Press, 2015)

    02/06/2015 Duración: 40min

    Short story writing, novel writing, and translating require a variety of skills and strengths that are hardly ever found in a single person. Ken Liu is one of those rare individuals who has them all. He is perhaps best known for short stories like The Paper Menagerie, which (according to his Wikipedia entry) was the first work of fiction to earn Nebula, Hugo, and World Fantasy Awards. But this year he’s making waves with two longer projects, which are the focus of his New Books interview: his translation of Cixin Liu‘s The Three-Body Problem and his debut novel The Grace of Kings. The Three-Body Problem has been a break-out success in China for Cixin Liu, who has won China’s Galaxy Award for science fiction nine times. The Three-Body Problem is also the first hard science-fiction novel by an author from the People’s Republic of China to be translated into English. Ken Liu (who is not related to Cixin Liu) says sales numbers for science fiction in China would be the envy of American pub

  • Michael Gorra, “The Bells in Their Silence: Travels through Germany” (Princeton UP, 2006)

    24/04/2015 Duración: 56min

    Despite being Germany’s most famous literary lion, in 1786 Johann Wolfgang von Goethe had to jump on a mail coach incognito to begin his travels to Italy (of course, he asked permission first from his patron the duke Karl August). InThe Bells in Their Silence: Travels through Germany (Princeton University Press, 2006), Michael Gorra takes the reader on a reverse journey, for it is by slipping in “incognito” that we will begin to find Germany in all its imponderables. The result of a year’s sabbatical residence in Hamburg, this book is a deep and discursive exploration of a country with millennia of history, and it explores how Germany’s dark role during the twentieth century weaves in and out of the everyday in the twenty-first. The travel companions Gorra invites along are an exceptional group: Thomas Mann, Walter Benjamin, W. G. Sebald, Bruce Chatwin. They all have looked at traveling through a kaleidoscopic lens and do not follow the linear as much as channel the essence of ph

  • David Hull (trans.), Mao Dun, “Waverings” (Chinese University of Hong Kong, 2014)

    17/04/2015 Duración: 01h07min

    David Hull‘s new translation of Mao Dun’s Waverings (Chinese University of Hong Kong, 2014)(Research Centre for Translation, Chinese University of Hong Kong, 2014) is both a beautiful literary work and a boon for scholars and teachers working in the field of modern Chinese studies. Waverings is the second work in the Eclipse trilogy, three books that were published serially in The Short Story Magazine beginning in 1927. These are the first works of fiction written by Shen Yanbing, the man who would later take on the pseudonym Mao Dun. Waverings offers readers a perspective on the 1926-1927 revolution – and problems of labor and women’s rights therein – but that perspective shifts depending on which version of the text that the reader encounters: while the first version was written very quickly in 1927 while the author was in hiding in Shanghai, another 1954 revision of the text is, in many ways, quite different. In his prefatory remarks, Hull thoughtfully reflects on how to navig

  • Jennifer Marie Brissett, “Elysium, or the World After” (Aqueduct Press, 2014)

    30/03/2015 Duración: 37min

    Jennifer Marie Brissett‘s first novel, Elysium, or the World After (Aqueduct Press, 2014), portrays a fractured world, one whose seemingly irreversible destruction does nothing to dampen the survivors’ collective will to live. Brissett showed similar determination in writing the book, whose non-traditional structure places it outside the mainstream. Fortunately, her approach has been validated, first by her teachers at Stonecoast Creative Writing Program at the University of Southern Maine, where she wrote Elysium as her final thesis, and later by the committee that selected Elysium as one of six nominees for the Philip K. Dick Award. (The winner will be announced April 3). “I wasn’t sure there was a space for me in this writing world. And to a certain degree I still sort of wonder. But the idea that I could write and that my stories are worthy of being told was something [Stonecoast] really helped to foster in me,” Brissett says in her New Books interview. In some respects, Elys

  • Rod Duncan, “The Bullet-Catcher’s Daughter” (Angry Robot, 2014)

    04/03/2015 Duración: 38min

    While science fiction often seeks to imagine the impact of new science on the future, Rod Duncan explores an opposite: what happens when science remains frozen in the past. In The Bullet-Catcher’s Daughter‘s alternate history, the Luddites prevailed in their protests 200 years ago against labor-replacing machinery, leaving science and culture stuck for generations in a Victorian-like age. Against this backdrop, Duncan introduces Elizabeth Barnabus, who outmaneuvers the restrictions placed on her as a single woman by pretending (with the help of quick-change-artist skills) to be her own brother. “Gender identity and gender presentation is a theme that runs through Bullet-Catcher’s Daughter because in order to do certain things in her world she needs at times to cross-dress and do it in a convincing way,” Duncan says. Elizabeth’s mastery of disguise–and her knowledge of deception acquired from her circus-owning father–allow her to earn a living as a private inves

  • Ben H. Winters, “World of Trouble” (Quirk Books, 2014)

    03/02/2015 Duración: 29min

    It’s no surprise that when scientists in Ben H. Winters‘ The Last Policeman series declare that a 6.5-mile asteroid is going to destroy life as we know it on October 3, civilization starts to unravel. Governments collapse. People quit their jobs and abandon their families. Survivalists stock up on guns and food, imagining there’s a way to outsmart the impending holocaust. Fatalists sink into hedonism, depression or suicide. And then there’s Hank Palace, a detective on the Concord, N.H., police force and the eponymous star of Winter’s trilogy. Faced with the end of the world, Palace does the almost unthinkable: he keeps doing his job. “He’s taken an oath to uphold the law … and to him an oath is an oath, a promise is a promise, and it doesn’t matter what the context is,” Winters says in his New Books in Science Fiction and Fantasy interview. Palace remains dedicated to his job as he tries to: determine whether an apparent suicide is actually a murder

  • Kameron Hurley, “The Mirror Empire” (Angry Robot, 2014)

    05/01/2015 Duración: 32min

    Kameron Hurley has been honored for her mastery of numerous forms. Her first novel, God’s War, earned her the Sydney J. Bounds Award for Best Newcomer and the Kitschy Award for Best Debut Novel. Her essay “We Have Always Fought”–about the history of women in conflict–was the first blog post ever to win a Hugo Award. And although her tweets haven’t won awards (yet), she is also an animated and articulate presence on Twitter. Hurley has lived with some of the concepts and characters in her newest novel, The Mirror Empire (Angry Robot, 2014) since she was 12. But it took patience and lots of hard work (including multiple revisions) for the story about mirror worlds on the brink of genocidal war to emerge. Although her first book was a success, the other two books in the series, Infidel and Rapture, were hurt by the financial troubles of the publisher. Hurley rallied, finding a new agent and a new publisher, but the path wasn’t easy. As she says in her New Books in Scienc

  • Alex London, “Guardian” (Philomel, 2014)

    09/12/2014 Duración: 36min

    This week’s podcast was an experiment. Rather than record the conversation with author Alex London over Skype, I decided to take the subway to Brooklyn and meet with him face-to-face in a coffee shop. I found it liberating to be unchained from an Internet connection, which has been known to fail mid-conversation, but the price of having a barista nearby is boisterous background noise. London’s novels about class conflict, debt, and rebellion are set in a grim future. A significant portion of Proxy takes place in a city where the poorest citizens dwell in a violent shantytown known as the Valve while the wealthy thrive in well-guarded neighborhoods of private speedways, luxury homes, and high-tech toys. The sequel, Guardian, is set in a crumbling Detroit exponentially more decrepit than the Motor City of today. As London explains, the horrors of the Valve are his “futuristic re-imagining” of slums outside of Nairobi, which he witnessed while researching one of his non-fiction books, One

  • Lydia Netzer, “How to Tell Toledo from the Night Sky” (St. Martin’s Press, 2014)

    21/11/2014 Duración: 41min

    Astronomy and astrology once went hand in hand: people studied the location and motion of celestial bodies in order to make astrological predictions. In the seventeenth century, the paths of these two disciplines forked so that today astronomy is a well-established science while astrology is allowed only as close to the word “science” as the suffix “pseudo-” allows. Lydia Netzer, in How to Tell Toledo from the Night Sky (St. Martin’s Press, 2014), tries to turn back the clock, inventing a world where astronomy and astrology harmonize once again. The novel centers on two best friends (both astrologers), who conspire to raise their children (both astronomers) so that when they encounter each other as adults, they fall hopelessly in love. All this takes place in the shadow of the Toledo Institute of Astronomy, a “world renowned Mecca of learning and culture” that’s as fanciful as Netzer’s fictional Toledo, a city where “astronomers and mathematicians wa

  • Kathryn Cramer and Ed Finn, “Hieroglyph: Stories and Visions for a Better Future” (William Morrow, 2014)

    05/11/2014 Duración: 29min

    Before Apollo 11, there was Jules Verne’s novel From the Earth to the Moon. Before the Internet, there was Mark Twain’s short story From the ‘London Times’ of 1904. In other words, before the appearance of many spectacular technologies, a writer imagined it first. This truth underscores one of science fiction’s abiding strengths: its ability to test concepts, both technological and social, without spending vast sums on research and development. The editors and writers behind Hieroglyph: Stories and Visions for a Better Future (William Morrow, 2014) think many science fiction writers in recent years have lost their way in this regard. As evidence, they point to the proliferation of what Hieroglyph co-editor Kathryn Cramer calls “tired dystopias.” Rather than provide “cautionary tales that show us what to avoid,” she explains in her New Books interview, these novels use “dystopias as furniture”–backdrops for a plot centered on a central cha

  • Brian Staveley, “The Emperor’s Blades” (Tor, 2014)

    21/10/2014 Duración: 41min

    What does it take to be an emperor? That question is at the heart of Brian Staveley‘s debut novel The Emperor’s Blades (Tor, 2014). In this first of a projected trilogy, Staveley focuses on three siblings. They are the children of the assassinated emperor of Annur, a descendant of the Goddess of Fire whose irises look like flames. Kaden, the designated heir, has spent the last eight years training in far off mountains with monks. He’s physically strong and he’s learned to withstand deprivation. He’s also an expert at drawing pictures, capturing images perfectly in his memory and suffering the abuse of his never-satisfied teachers without complaint. But is he ready to take on the responsibilities of emperor, a position that will require him to hold together alliances, manage a large-scale bureaucracy, and foster the admiration of citizens on two continents? In his interview on New Books in Science Fiction and Fantasy, Staveley describes the three types of tension that power good s

  • Robert Silverberg, “Science Fiction: 101” (Roc, 2014)

    07/10/2014 Duración: 29min

    Science Fiction: 101 (Roc, 2014) isn’t just an “exploration of the craft of science fiction” as its subtitle says; it’s also about the impact the stories in this anthology had on the imagination of a young boy. That boy was Robert Silverberg, who was so inspired by the stories he found in pulpy magazines with names like Startling and Thrilling Wonder that he vowed he would one day become a science fiction writer himself. He sold his first science fiction story in 1954 when he was a sophomore at Columbia and never looked back. But lest anyone think the job of writer is easy, one of the messages of Science Fiction: 101 is that “hard work rather than superior genetic endowment is the basic component of most writers’ success.” The collection contains 13 stories, most of which were published in the 1950s and from which Silverberg, in essays accompanying each story, draws lessons about the art of storytelling. The anthology was originally published under a different name in

  • Oliver Ready (trans.), Vladimir Sharov, “Before and During” (Dedalus Books, 2014)

    30/09/2014 Duración: 57min

    Historical fiction, by definition, supplements the verifiable documentary record with elements of the imagination. Otherwise, it is not fiction but history. These elements often include invented characters, made-up dialogue, the filling in of vague or unknowable events and personalities. Through the more or less careful manipulation of historical truth, the novelist seeks to uncover a deeper emotional truth that speaks to both the reality of a past time and the needs of the present. Before and During (Dedalus Books, 2014)–Vladimir Sharov’s exploration of Soviet life and the revolutionary movement that preceded it, skillfully translated by Oliver Ready–pushes historical invention to its limits. Set in a Moscow psychiatric hospital circa 1965, the novel follows a patient identified only as Alyosha as he pursues his self-assigned quest to create a Memorial Book of the Dead, à la Ivan the Terrible, by recording the life stories of those around him and people of importance in his own past. One f

  • Max Gladstone, “Full Fathom Five” (Tor, 2014)

    22/09/2014 Duración: 36min

    Full Fathom Five (Tor, 2014) the third and most recent novel in Max Gladstone’s Craft Sequence, features dying divinities and depositions, idols and investments, priestesses and poets, offerings to gods and options for shareholders. As he explains in the podcast, Gladstone traces his initial inspiration for his Craft Sequence to, among other things, his several years teaching English in rural China, where he saw children of subsistence farmers grow up to become engineers and international bankers. “The thought that that’s really the kind of range that exists in the modern world sort of blew my mind open,” he says. When he came back to the U.S., Gladstone experienced a kind of culture shock. “Coming back to billboards and advertising campaigns and bank account statements and all of that was this huge shock so I was forced to fall back on interpretive tropes from fantasy and science fiction … to grok it all.” Another influence on his writing was the financial collapse o

  • Andy Weir, “The Martian” (Crown, 2014)

    06/09/2014 Duración: 31min

    Strand a man on Mars with only a fraction of the supplies he needs to survive and what do you get? A bestseller. Andy Weir‘s The Martian (Crown, 2014) has been on a journey almost as remarkable as its protagonist, but instead of surviving on an airless, waterless planet, The Martian has survived the inhospitable environment known as publishing, floating near the top of bestseller lists since the moment it was published. The overall plot is easy to summarize: A manned mission to Mars is scheduled to last 31 days but is aborted in the middle of a life-threatening windstorm. The crew’s botanist-engineer Mark Watney is left for dead as the crew rushes to escape. Watney spends the rest of the book figuring out how to survive while the experts at NASA spend their time figuring out if they can rescue him. Describing Watney’s strategies for survival are a bit more complicated. Everything that remains from the aborted mission is fair game for Watney’s imaginative repurposing. One by one, he tur

  • James L. Cambias, “A Darkling Sea” (Tor, 2014)

    19/08/2014 Duración: 27min

    History is shaped by cultures interacting either peacefully (through trade or art, for example) or violently, through war or colonialism. There doesn’t seem to be any way to avoid cultural intermixing–on Earth, at least. Science fiction is another story. The crew of Star Trek was bound by the Prime Directive, the United Federation of Planets’ regulation that prohibited Starfleet personnel from interfering in the development of alien societies. James L. Cambias explores a similar idea in A Darkling Sea (Tor, 2014), but rather than accept the Prime Directive as an unexamined good, the narrative tackles the issue from a number of fresh perspectives–three perspectives, to be specific. On one side is a team of human scientists who are trying to study a sentient species under six kilometers of a freezing, alien ocean. On the other side are the Sholen, technologically superior creatures who believe it’s their job to police inter-species interactions. And in the middle are the Ilmataran

  • Shelbi Wescott, “Virulent” (Arthur Press, 2013)

    04/08/2014 Duración: 28min

    It wasn’t until Shelbi Wescott was deep into her career as a high school teacher that she published her first novel, Virulent: The Release (Arthur Press, 2013). The inspiration for the story came during a class for students who weren’t reading at grade level. “Part of my job in that class is to get students excited about literature,” she says. But one student remained disengaged despite her best efforts: I had to call him after class one day and say ‘You actually have to give some of these books a shot. You might like them.’ And he was like ‘I bet you could even write a better book’ than the one we were currently reading. And I said, ‘I’ll take that challenge. Sure. OK.’ She handed the student a piece of paper and asked him to write down 10 things he wanted to see in the book. And then she sat down and wrote it. “That happened when he was a freshman and Virulent was published his senior year. That was a pretty exciting graduation present

  • Emmi Itaranta, “Memory of Water” (Harper Voyager, 2014)

    22/07/2014 Duración: 28min

    It’s clear to most scientists that human activity fuels climate change. What’s less clear is global warming’s long-term impact on geography, ecosystems and human society. If global warming continues at its current pace, what will life be like 50 years from now? A hundred? Five hundred? The further in the future we go, the more we must rely on science fiction writers to help us fill in the details. In her debut novel Memory of Water, Emmi Itaranta takes us to a future where the defining consequence of global warming is water scarcity. But more than a portrait of an environmental apocalypse, Memory of Water is about secrets and their consequences: an authoritarian government’s secrets about the past, a family’s secrets about a hidden source of water. The book is also about language. Ms. Itaranta, who was born and raised in Finland and now lives in England, wrote Memory of Water simultaneously in Finnish and English. As she explains in her interview with Rob Wolf, this forced her to

  • Greg van Eekhout, “California Bones” (Tor Books, 2014)

    07/07/2014 Duración: 28min

    Southern California can seem magical, thanks to sunny skies, warm weather, orange groves and movie stars. In Greg van Eekhout‘s California Bones (Tor Books, 2014) the magic is real. The Kingdom of Southern California is ruled by osteomancers who draw power and wealth from potions derived from the bones of magical creatures. In his conversation with Rob Wolf, the new host of New Books in Science Fiction and Fantasy, Eekhout discusses, among other things, his interest in myths and magic, the impact of his Dutch-Indonesian heritage on his writing, protagonist Daniel Blackland’s complex relationship with his father, and Eekhout’s use of outlines to plot his books. This is Rob Wolf’s debut interview as host of New Books in Science Fiction and Fantasy. Rob Wolf is the author of The Alternate Universe and The Escape. He worked for many years as a journalist, writing on a wide range of topics from science to justice reform, and now serves as director of communications for a think tank in New Y

  • Eric LeMay, “In Praise of Nothing: Essays, Memoir, and Experiments” (Emergency Press, 2014)

    13/06/2014 Duración: 46min

    Some people describe a lonesome highway or the middle of a desert town–even a state like Ohio–as “the middle of nowhere.”  But for others, like Eric LeMay, no such place exists. There is always a “there there.”  It’s the presence within the absence that draws LeMay.  Either because the absence offers mystery, intangibility, or perhaps it trembles with what came before.  Hamlet pondered, “To be or not to be?” but in LeMay’s writing, the self, our world, even texts don’t exist as either/or puzzles.  It’s the missing pieces–the in-betweens–that are as much a part of everything as anything else.  LeMay’s In Praise of Nothing:  Essays, Memoir, and Experiments (Emergency Press, 2014) not only makes something from nothing, it shows us how we all do.  LeMay contemplates the namelessness of John or Jane Doe, the Rumsfeldian “Unknown unknowns, ” the past’s echoes, and Ground Zero, yet he also elucidates the ways

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