New Books In Literature

Sarah Kozloff does her world building gradually and carefully, introducing you to a few characters you get to know and care for, before moving on to other lands and cultures. The land of Weirandale is ruled by a line of queens with unique magical talents which is granted to them by Nargis, the spirit of the water. We first meet the future queen in hiding when she is a child, granted a menagerie of pets by her fond mother, Cressa, who tries to spend as much time her as she can while ruling Weirandale. Cressa is perhaps not temperamentally suited to be queen. A somewhat retiring and innocent person by nature, she is unprepared for the machinations of her chief counsellor, who wishes power for himself. After an assassination attempt, Cressa conceals her daughter’s identity through magic, sending her to live with a family who is unaware of her true identity. Her daughter, Cérulia, likewise is not ambitious nor does she show much desire to lead. She does however have a kind heart and will fight for her friends, if

Some war stories emphasize heroism and a higher purpose; others emphasize brutality and disillusionment. The first kind of story got Dietz, the narrator of Kameron Hurley’s military science fiction novel The Light Brigade (Saga Press, 2019), to enlist in a war against aliens from Mars. The second is the story that emerges from their experience as they learn that truth—and reality itself—are two of the war’s biggest casualties. Hurley is the author of nine books. She has received numerous awards, including two Hugo Awards, a British Science Fiction Award, and a Locus Award. On this episode of New Books in Science Fiction, she discusses using a mathematician’s help to map her time-jumping plot, working with a hands-on literary agent, and making ends meet as a writer, among other things. Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoices

After her parents' divorce, Jackie Stalnaker is sent to her grandmother’s dilapidated house in a tiny town in West Virginia. It’s a hot, mid 1970’s summer in Burnt House, where the only thing to look forward to is a weekly old movie shown at the library. But Jackie is grateful to be away from her squabbling parents and delighted with the crazy characters she meets in Burnt House (Buffalo Times Press, 2018). In these charming short stories, White creates a world of complex characters, some lazy, cranky or perfectly satisfied, others lonely and lost, but all connected by history and their shared geography. Lowell Mick White is the author of six books and his work has been published in many literary journals, including Callaloo, Iron Horse Literary Review, and Short Story. A winner of the Dobie-Paisano Fellowship, awarded by the University of Texas at Austin and the Texas Institute of Letters, White lived in Austin, Texas, for 25 years, at various times making his living working as a cab driver, a shade tree sal

Today I’m speaking with author Christina Adams, and Adams has something of a surprising muse: camels. That’s right, camels. One hump, two humps, crossing the Egyptian desert or the Siberian tundra. Adams’ muse is surprising, because she lives, like many of us, in North America—Orange County, California, to be exact. That’s not the place where you’d expect someone to develop a deep fascination and a deep respect for camels. And yet this improbability makes Adams’ new book Camel Crazy (New World Library, 2019) all the more intriguing, as she becomes, by turns, a smuggler, an activist, a scientist, a world traveler, and, in the end, an advocate, not just for camels, but for our public health, our environment, and for her son. He’s a child on the autistic spectrum, and Adam’s love for him becomes a beautiful and passionate engine that ultimately leads her to start a movement that may just transform how we see camels and how we see and treat autism. Eric LeMay is on the creative writing faculty at Ohio University.

Gene is newly widowed and haunted by his memories. As he bumbles through long days, he questions his wife Maida’s sudden death, his daughter’s motives, and the enduring and meaningful friendship of best friends Ed and Gayle Donnelly. He tries to resurrect the good memories of the two couples raising children in a New Hampshire town and vacationing together every summer at a lake house owned by the Donnellys. He tried to come to terms about his relationship with his only daughter, Dary, who has chosen to raise a fatherless child, has made her home on the other side of the country, and who challenges Gene’s happy memories of everything that happened in their lives. She even challenges his view of her mother. Moving between Gene’s fraught current life and memories of his childhood, coming of age, courtship, marriage, and career, The Dependents (Back Bay Books, 2019) is a sensitive novel about love, parenthood, friendship, and finding contentment. Katharine Dion is a graduate of the Iowa Writers’ Workshop, where

A slim volume you can swallow in one melancholy winter afternoon, best with sips of a mellow amber whisky with undertones of peat, Priya Sharm's Ormeshadow (Tor.com, 2019) is about more about human beasts than the actual dragon that slumbers under the earth. The fraternal archetypes; the civilized and the wild brother, are seen through the eyes of a bewildered child, Gideon, who becomes a man during the course of the story. The two brothers in question are Gideon’s father and uncle. Gideon’s father, John, is a scholar, happy with books, but also bound to the land (and what lies under it.) Uncle Thomas, first described in a sentence that can be read several ways, is a dark man. When Gideon’s father, John, is forced to bring his family back to the farm where he and Thomas grew up, familial competition raises its ugly head. From a lone mysterious carved chair to John’s beautiful wife, everything seems to be contested ground. John often yields both to his demanding wife and his volatile brother, Thomas. It seems

Becca Klaver writes in the poem 'Hooliganism Was the Charge,' It offered reassurance which said, “You are not alone; I can hear you.” Her forthcoming collection, Ready for the World (Black Lawrence Press 2020), reminds us that no matter the digital distance between us we are never quite alone. A collection that both casts and dispels the bindings ever present via social media, patriarchy, and our own paths to growth, this collection allows readers to blur the lines between our sometimes carefully curated online lives and the magical beings we truly are. Part spell book and a rumination on technology, Klaver explores womanhood and feminism from a distance and up close. These poems ask for us to find a remembrance and a reconnecting. She asks in the poem Manifesto of the Lyric Selfie, what is burning in our little hearts?, and dares us to tear down what we think we know to find what we feel. Becca Klaver is the author of two books of poetry—LA Liminal (Kore Press, 2010) and Empire Wasted (Bloof Books, 2016)—and

The end of the world is no excuse for eating French fries. That’s a lesson 7-year-old Sunny Donelly learns from her father, Rob, who tries to give her as normal a childhood as possible in the post-pandemic landscape of Mike Chen’s A Beginning at the End (MIRA, 2020). Trying to be a good dad, Rob showers Sunny with attention and gives her fatherly advice, telling her, for instance, that lying is bad and that French fries aren’t healthy. But there’s an all-important thing he hasn’t told her: that her mom is dead, the victim of an accident during the outbreak that killed billions. Rob isn’t the only one trying to outrun his past with a lie. The other main characters—Moira Gorman, a former pop star, and Krista Deal, an event planner—are also hiding secrets. Set six years after the pandemic, Chen’s second novel imbues a San Francisco that feels almost like our own with a haunting sense of loss. But while trauma hovers over his characters’ lives, resiliency, loyalty and love ultimately prevail. What if “something a

It’s 1937 and rural Tennessee is still recovering from the Great Depression. The construction of a huge dam brings job seekers, fortune hunters, and the promise of electricity to the area. Claire, a young mother of two, realizes her marriage is over when she wakes up with a sexually transmitted disease brought home by her husband. Nathan is an engineer with a shameful secret who changes his name to get work at the dam. Everyone in this colorful cast of dog-fighting neighbors, beer-guzzling ex-husbands, and power-hungry employers is trying to survive in the mosquito-infested heat of a southern summer. Mark Barr has been awarded fellowships from Blue Mountain Center, I-Park Artists Enclave, Jentel Arts, Kimmel Harding Nelson Center, Millay Colony, and Yaddo. Favorably reviewed by Publishers Weekly, Kirkus, and Booklist, his debut novel, Watershed (Hub City, 2019), was featured in the Southern Independent Booksellers Alliance’s fall Okra list and Deep South Magazine's Fall/Winter Reading List, and named as one o

Effie Tildon loves her older sister, Luella. Sixteen to Effie’s thirteen, Luella has long taken the leading role in deciding what the two sisters do, even when it leads them in directions their parents would not approve of. Those three extra years are one reason that Luella directs Effie rather than the reverse, but another important reason is that Luella is strong and healthy and rebellious, whereas Effie has lived in the shadows since her birth—the result of a congenital heart defect that, although entirely curable in our own century, in 1900 has left everyone in the family certain that Effie may die any minute. So when Luella leads Effie to a Roma camp on the outskirts of New York City, then disappears one day without letting her sister know where she’s headed, Effie is determined to find her, even if it means confronting her fear that their father has had Luella committed to New York’s notorious House of Mercy, a home for wayward women and girls. Effie comes up with a plan to abandon her privileged Gilded

Usually on the New Books Network we do exactly what our name says: we talk about new books. Today, however, we’re doing something a little different. I’m interviewing Donald Morrill about his very not-new book of essays Impetuous Sleeper (Mid-List Press, 2009). It was published a decade ago. However, it offers us an interesting opportunity to talk about a part of publishing world that we often don’t talk about: what happens when your publisher closes and your book goes out of print? How does that alter your perception of a book, of its purpose and its potential audience? And yet Morrill’s essays offer us so much more than a look at the publishing lifespan of a book. He’s crafted beautiful work that reimagines what the essay can do and be. His is a collection of startling insights and careful observations that gather to a lyrical abundance. It’s a generous gift of a book, one that masterfully demonstrates an essay needn’t be new to be apt, to be beautiful, to be, in the largest sense, newsworthy. Eric LeMay is

The ten linked stories in Jason Brown's A Faithful but Melancholy Account of Several Barbarities Lately Committed (Missouri Review, 2019) follow John Howland and his descendants as they struggle with their New England legacy as one of the country's founding families and the decaying trappings of that esteemed past. Set on the Maine coast, where the Howland family has lived for almost 400 years, the grandfather, John Howland, lives in a fantasy that still places him at the center of the world. The next generation resides in the confused ruins of the 1960s rebellion, while many in the third generation feel they have no choice but to scatter in search of a new identity. Jason Brown earned his MFA from Cornell University, and was a Stegner Fellow and Truman Capote Fellow at Stanford University, where he taught as a Jones Lecturer. He has received fellowships from the Yaddo and Macdowell colonies and from the Saltonsall Foundation. He taught for many years in the MFA program at the University of Arizona and now te

Christopher Fort’s new translation of Abdulhamid Sulaymon o’g’li Cho’lpon’s Night and Day: A Novel (Academic Studies Press, 2019) (Kecha va Kunduz) gives readers a chance to dive into the world of early 20th century Uzbek literature and understand the complex social problems of late Russian imperial Turkestan. This book will be interesting for a wide range of readers, including those interested in the history of Russia and Central Asia, as well as the nature of colonial and post-colonialism in those contexts. Finally, Fort’s translation brings attention to Cho’lpon, an important figure in Uzbek literary life who tragically became a victim of Stalinist terror. Nicholas Seay is a PhD candidate at The Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Science fiction and fantasy often feature characters who seek absolute control (over a kingdom, country, world, galaxy or universe), but few break down the secret to power as elegantly as Seanan McGuire in Middlegame (Tor.com, 2019), where her sibling protagonists subdue the forces of nature through the union of two fundamental arts: language and mathematics. McGuire sees elements of a “modern Frankenstein” in her novel about a brother and sister created by a ruthless alchemist. Instead of a hideous monster, her alchemist produces two brilliant siblings, whose rhyming names (Roger, a genius at languages, and Dodger, a math prodigy) belie their potential to control time and space. Life is easier for Roger, whose facility with words opens doors. Dodger, on the other hand, has had a harder time socializing; as a result, she is less trusting and keeps to herself. “Dodger is a math prodigy and a smart girl. And those are two things that tend to get you kicked in the teeth by the world over and over again,” McGuire

After Jim Rossi began writing his M.A. thesis in History at the University of Nevada, Las Vegas, the project took an unexpected turn. His research on the solar industry in the Mojave desert brought him into close contact with a number of entrepreneurs in clean technology, and start-ups in the renewable energy sector. He soon stumbled upon several alleged “scams” and “long cons” in the industry, and his book, Cleantech Con Artists: A True Vegas Caper, tells the real life story of his effort to get to the bottom of confidence men in the modern American West. Ryan Driskell Tate is a Ph.D. candidate in American history at Rutgers University. He is completing a book on fossil-fuels and energy development in the American West. He teaches courses on modern US history, environmental history, and histories of labor and capitalism. @rydriskelltate Learn more about your ad choices. Visit megaphone.fm/adchoices

Leticia Liliuokalani Lang, better known as Letty, has good intentions, but her strong will and quick temper tend to get in her way. Banished from her Hawaiian home due to a conflict with her stepmother, Letty winds up in a California boarding school, where she decides to devote her career to healing animals—even though female veterinarians are scarcer than the proverbial hen’s teeth in 1906. On the ship back to her beloved islands, Letty notices a beautiful racehorse and realizes the horse’s trainer is abusing him. An accident in the harbor sends the stallion into the ocean, and Letty dives in to save him without a second thought. That sets her on a collision course with the horse’s owner and trainer after she insults the former and reports on the latter’s mistreatment. All this before Letty even reaches her home and confronts the stepmother who sent her away. Letty learns that she has a magical gift that challenges her self-control but acts as a source of strength and connection. She is one of nine Gates, bo

Joyce Ashuntantang talks about her experiences as a traveler and a poet, from her childhood Cameroon to her years studying in Great Britain and the United States. Ashuntantang is a professor of English at Hillyer College, University of Hartford. She is the author of many works of poetry, including A Basket of Flaming Ashes. Ashuntantang is an extraordinary weaver of words who showcases vivid pictures that compete with 3D simulation. Her greatest asset is her use of the beautiful traditional Cameroonian anchor that evokes folk tales with its moonlight romance and glory. You feel, laugh, weep, shiver, wonder, and hail the triumphant spirit of the persona as it navigates African postcolonial and global experiences with the melancholy of an exile who is purposeful, strategic, and a lot of fun. Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost Whit

Donny Kimoe, a wise-cracking lawyer who used to work for the prosecution and has kept his security clearance, believes in the legal system. His work as a defense attorney will change all that. His clients are a new class of criminals—those who dare protest changes in American government, including imposition of martial law in certain areas and the detainment of citizens without legal reasons. To protect his new client, Xelina Rocafuerte, a young journalist, from the fate of his previous one, who just received the death penalty, Donny tries the patience of his former associates, and leans heavily on his prior friendships. Soon he realizes private interests, allied with influential politicians, have a good reason to want Xelina locked up out of sight. Xelina’s video evidence, if made public, will interfere with their secret plan to use condemned land for some lucrative business plans. A crash course in the law as well as a darkly humorous thriller, Christopher Brown’s Rule of Capture (Harper Voyager, 2019) shou

Famous Men Who Never Lived (Tin House, 2019) is set in two Brooklyns. In one, people ride in trams; in the other, they take subways. In one, the swastika is a symbol of luck; in the other, it signifies hate. In one, science fiction is literature; in the other, it’s considered mere genre. Helen (Hel) Nash, the main character in K Chess’s debut novel, comes from the other Brooklyn—the one with trams and innocuous swastikas. She is a refugee from a nuclear war, one of 156,000 Universally Displaced Persons who escape through an experimental gate from her timeline to ours. Like many refugees, she’s having a hard time adjusting. Not only has she lost friends and family—including her son, who she can never see again—but she faces a new world of unfamiliar laws, customs, and culture. It doesn’t help that most people in our timeline eye UDPs with mistrust. Hel’s and our world diverged around 1910. “It was fun to think about all the things that happened since nineteen hundred,” Chess says in her New Books interview. “F

An intelligent, middle-aged feminist and pitch-perfect musician cannot recuperate from a brief affair with a narcissistic and possibly psychopathic married but famous music critic. By returning to the scene of the affair and listening to the world around her, Eve begins to recover memories of her past, which help her understand, and therefore move on from, her obsession. The Dead Man (Inanna Publications, 2016) a beautiful tale of love, loss, family, and the music of the world around us. Nora Gold is the prize-winning author of three books of fiction along with other widely published and praised articles and essays. Since 2000 when she left full-time academia, Gold has been affiliated (first as an Associate Scholar and then for six years as its Writer-in-Residence) with OISE/University of Toronto’s Centre for Women’s Studies in Education. This center closed in 2018, but Gold continues to coordinate the highly regarded reading series that she established there, the Wonderful Women Writers Series, now housed at