Credit Offset

Chay discusses how Moonlight's structure emphasises the films motifs. Films mentioned in order: Moonlight (Barry Jenkins, 2016)

Chay discusses how Do the Right Thing's structure works and how it's similar to a Netflix TV show. Films mentioned in order: Do the Right Thing (Spike Lee, 1989)

Chay discusses how nice it is to see a 2D animation tradition in 3D. Films mentioned in order: The Lion King (Roger Allers & Rob Minkoff, 1994) Aladdin (Ron Clements & John Musker, 1992) Dumbo (Ben Sharpsteen, Norman Ferguson, Wilfred Jackson, Bill Roberts, Jack Kinney & Samuel Armstrong, 1941) Moana (Ron Clements & John Musker, 2016) The Little Mermaid (Ron Clements & John Musker, 1989)

Chay compares The Intern to Sympathy for Mr. Vengeance Films mentioned in order: Sympathy for Mr. Vengeance (Park Chan-wook, 2002) The Intern (Nancy Meyers, 2015)

Chay talks about film's themes and the engagement it can give you. Films mentioned in order: Arrival (Denis Villeneuve, 2016) Money Monster (Jodie Foster, 2016) Nerve (Henry Joost & Ariel Schulman, 2016)

Chay, out of breath, tries to finally get rid of 2016 with a top ten list.

Chay is excited by the creation of cinematic language. Films mentioned in order: Napoleon (Abel Gance, 1927)

Chay discusses the #52filmsbywomen project. Films mentioned in order: What Happened, Miss Simone? (Liz Garbus, 2015) Butter on the Latch (Josephine Decker, 2013) Thou Wast Mild and Lovely (Josephine Decker, 2014) Jupiter Ascending (Lana & Lilly Wachowski, 2015) Money Monster (Jodie Foster, 2016) Mustang (Deniz Gamze Ergüven, 2015) Cleo from 5 to 7 (Agnès Varda, 1962) Losing Ground (Kathleen Collins, 1982) No Home Movie (Chantal Ackerman, 2015)

Chay discusses jump scares. Films mentioned in order: Nocturnal Animals (Tom Ford, 2016)

Chay escapes for a moment. Films mentioned in order: Maverick (Richard Donner, 1994) The Blues Brothers (John Landis, 1980) Van Helsing (Stephen Sommers, 2004) The Purple Rose of Cairo (Woody Allen, 1985)

Chay discusses the narrative of failure. Films mentioned in order: Doctor Strange (Scott Derrickson, 2016) Monsters University (Dan Scanlon, 2013) Don't Think Twice (Mike Birbiglia, 2016)

Chay talks about narratives outside of films. Films mentioned in order: The Wizard of Oz (George Cukor, 1939)

Chay talks about why diversity in children's media is so important. Films mentioned in order: Space Jam (Joe Pytka, 1996)

Chay tries to define dynamic in relation to the Wachowskis Films mentioned in order: Bound (Lana & Lilly Wachowski, 1996)

Chay talks about cinemas offering validation through audiences. Films mentioned in order: Mustang (Deniz Gamze Ergüven, 2015)

Chay talks taste as an essential empathetic tool. Films mentioned in order: Our Little Sister (Hirokazu Koreeda, 2015)

Chay talks about why crowds are better with real people rather than CGI. Films mentioned in order: Ran (Akira Kurosawa, 1985) The Warriors (Walter Hill, 1979) Up (Pete Doctor & Bob Peterson, 2009)

Chay discusses how the Wachowskis are aware of their style being called formally different. Films mentioned in order: Speed Racer (Lana & Lilly Wachowski, 2008) The Horse in Motion (Eadweard Muybridge, 1878)

Chay discusses an experience of a theatre beyond just a big screen. Films mentioned in order: 2001, A Space Odyssey (Stanley Kubrick, 1968) Anomalisa (Charlie Kaufman & Duke Johnson, 2015)

Chay discusses a debut capturing energy and youth. Films mentioned in order: A Fistful of Fingers (Edgar Wright, 1995)