Credit Offset

Chay discusses their environmental worries. Films mentioned on order: Pom Poko (Isao Takahata, 1994)

Chay discusses why ugliness in films is compelling Films mentioned in order: End of the Wicked (Teco Benson, 1999) Antichrist (Lars Von Trier, 2009) Cannibal Holocaust (Ruggero Deodato, 1980) Funny Games (Michael Haneke, 1997)

Chay discusses how characters talking over each other and then to silence can work well. Films mentioned in order: Mo' Better Blues (Spike Lee, 1990)

Chay discusses why Tati's film is perfect for the hungover. Films mentioned in order: Les vacances de Monsieur Hulot (Jacques Tati, 1953)

Chay discusses abortion as a plot point. Films mentioned in order: Obvious Child (Gillian Robespierre, 2014)

Chay discusses why they might not have found a film funny. Films mentioned in order: Bridesmaids (Paul Feig, 2011)

Chay discusses forgiving films. Films mentioned in order: The Spongebob Movie: Sponge Out of Water (Paul Tibbitt & Mike Mitchell, 2015) Adaptation (Spike Jonze, 2002) Seven Psychopaths (Martin McDonagh, 2012) Stranger Than Fiction (Marc Forster, 2006)

Chay discusses opening credits. Films mentioned in order: Branded to Kill (Seijun Suzuki, 1967) Psycho (Alfred Hitchcock, 1960) Vertigo (Alfred Hitchcock, 1958) It’s a Mad Mad Mad Mad World (Stanley Kramer, 1963)

Chay discusses how great it is for a film to affect you physically. Films mentioned in order: Mad Max: Fury Road (George Miller, 2015) Gravity (Alfonso Cuarón, 2013)

Chay expresses how they've become proud of becoming a better film watcher and also offers up a gendered reading on Death Proof. Films mentioned in order: Death Proof (Quentin Tarantino, 2007)

Chay discusses binocular shots. Films mentioned in order: Mad Max 2: The Road Warrior (George Miller, 1981)

Chay discusses if directors should frame for a small screen. Films mentioned in order: Far from the Madding Crowd (Thomas Vinterberg, 2015)

Chay discusses continuity errors. Films mentioned in order: Shutter Island (Martin Scorsese, 2010)

Chay discusses why watching James Mason is fascinating. Films mentioned in order: Child's Play (Sidney Lumet, 1972) Lolita (Stanley Kubrik, 1962)

Chay discusses the unexpected laughs that films sometimes give us. Films mentioned in order: 20 Feet from Stardom (Morgan Neville, 2013) Pirates of the Caribbean: At World's End (Gore Verbinski, 2007) Death Wish 3 (Michael Winner, 1985)

Chay Collins discusses the romanticism of other eras through their technologies and their deaths. Films mentioned in order: Two-Lane Blacktop (Monte Hellman, 1971) Inherent Vice (Paul-Thomas Anderson, 2014) Taxi Driver (Martin Scorsese, 1976) Midnight in Paris (Woody Allen, 2011) The Royal Tenenbaums (Wes Anderson, 2001) The Grand Budapest Hotel (Wes Anderson, 2014)

Chay talks about an excellent shot demonstrating a masterful knowledge of how perspective works. Films mentioned in order: Yojimbo (Akira Kurosawa, 1961)

Chay discusses why the feeling of hunger is so important to a film viewing experience. Films Mentioned in order: Chef (Jon Favreau, 2014) Ratatouille (Brad Bird, Jan Pinkava, 2007) The Wayward Cloud (Ming-liang Tsai, 2005) Annie Hall (Woody Allen, 1977) Einstein and Einstein (Baoping Cao, 2013)

Chay discuses why they're starting a podcast talking about film. Films mentioned in order: Life Itself (Steve James, 2014) Synecdoche, New York (Charlie Kaufman, 2008) Girlhood (Céline Sciamma, 2014) How the West Was Won (Henry Hathaway, John Ford & George Marshall, 1962) City of Women (Federico Fellini, 1980) The Fisher King (Terry Gilliam, 1991)