Talkhouse Podcast

On today’s episode, Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011 author Lizzy Goodman sat down with Yeah Yeah Yeah's Brian Chase and TV On The Radio's Kyp Malone at the flagship Sonos store in NYC. In their conversation, they relive those halcyon years and see what everyone's staying busy with. Check it out, and subscribe now on iTunes or Stitcher to stay in the loop on future episodes of the Talkhouse Podcast. 

On the latest episode of the Talkhouse Podcast, writer-director Patrick Brice (The Overnight) and Miguel Arteta, the director of Chuck & Buck, The Good Girl and Cedar Rapids, sit down for a conversation at Arteta's house. The two, who are both currently editing films produced by Mark and Jay Duplass, have a lively talk which encompasses everything from Jason Schwartzman's reticence to take off his shirt to a nightmare TV project Arteta worked on with Martin Scorsese, but focuses most on two major topics: parenthood (Brice recently became a father for the first time) and the current political climate (Arteta's new film is the very prescient and Trump-inflected Beatriz at Dinner). For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

On the latest episode of the Talkhouse Podcast, Nicole Holofcener – the writer-director of such acclaimed comedy dramas as Walking and Talking, Please Give and Enough Said – talks with two of her biggest fans, Jenny Slate and Gillian Robespierre, the star and writer-director of Obvious Child and the newly released Landline. In a wide-ranging and often hilarious conversation, the trio talk about sex scenes, motherhood, humping furniture, the difference between male and female directors, their struggles with chewing sounds, telling time and counting – and Jenny and Nicole share their very different memories of working together on Bored to Death. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

On the latest episode of the Talkhouse Podcast, Saturday Night Live alum Taran Killam sits down with longtime friend and current SNL cast member Kyle Mooney at the flagship Sonos store in New York City, tied to the release of Mooney's new movie Brigsby Bear, which he stars in and also co-wrote. In a conversation rich with '80s and '90s pop culture trivia (and impromptu singing!), the two talk about their favorite karaoke songs, boy bands of decades past, Kyle's legendary collection of VHS tapes, Saved by the Bell and other teen TV shows, working with legends such as Mark Hamill and Arnold Schwarzenegger, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

On the latest episode of the Talkhouse Podcast, two longtime friends who bridge the worlds of music and film – writer-director Terence Nance, who’s also a musician, and Steve Ellison, widely known as the recording artist Flying Lotus, whose supremely out-there debut feature film Kuso is out now – sit down for a chat. Over the course of their highly entertaining and unpredictable conversation, the pair talks about dick-stabbing, Steve’s traumatic first time getting tested for STDs, the unique mix of crude humor and transcendence in his work, their respective creative struggles, their greatest fears, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

On the latest episode of the Talkhouse Podcast, two cinematic titans are in conversation as Darren Aronofsky sits down with the legendary Alejandro Jodorowsky, to coincide with the theatrical release of the 88-year-old cult director's new film, Endless Poetry. The two have a fascinating, wide-ranging conversation that takes in the challenge of making art within the Hollywood system, the ability of films to heal, the vulgarity of Trump and life's big questions – death, God, aliens, the universe – and Jodorowsky also fulfills a longheld dream of the Black Swan director's by reading his tarot. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

On the latest episode of the Talkhouse Podcast, we continue our series of episodes recorded live at Sonos' flagship store in Soho NYC with a hilarious conversation between Mr Show and Arrested Development's David Cross and two of his longtime friends, comedian and hip-hop star Jean Grae and Fabrizio Moretti, the drummer from the Strokes and Little Joy. Over the course of a hilarious and thoroughly unpredictable conversation, the trio talk about David going into an old people's home, the ills of social media, Jean's inability to ride a bike, the mysterious “gum incident,” the movie and musical of Newsies, conspiracy theories, jobs they were fired from … and David and Fab give Jean an opportunity to prove her talents at the last job she was fired from: a phone sex operator. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

On the latest episode of the Talkhouse Podcast, host Elia Einhorn sits down with Talkhouse Film's Editor-in-Chief Nick Dawson and then Talkhouse Music Editor-in-Chief Amy Rose Spiegel (with Talkhouse editorial intern Sophie Kemp in tow!) to discuss some of their favorite moments from the past few months, which include discussions of privilege, Tom Cruise's penis, clothing essentials, stripping, among other topics. Featured here are conversations between Talib Kweli and Patterson Hood of Drive-By Truckers, comedy multihyphenates Ken Marino and Paul Scheer, Cosey Fanni Tutti from Throbbing Gristle and Patti Smith Group's Lenny Kaye, standup stalwarts Todd Barry and Chris Gethard, and more. Plus there's an unreleased outtake in which Ryley Walker and Teenage Fanclub's Norman Blake riff on the weirdness of settling back into real life after tour, and a closing moment that would move Alvin Ailey to tears. Subscribe to the Talkhouse Podcast now on iTunes or Stitcher to stay in the loop about future episodes, too!

On the latest episode of the Talkhouse Podcast, writer-director Rian Johnson (Brick, Looper) sits down with the visionary Ana Lily Amirpour, whose debut feature A Girl Walks Home Alone at Night announced her as a major talent and whose second film, The Bad Batch, is released June 23. Their wide-ranging conversation covers the breadth of the filmmaking process, from the trials of writing to post-production anxieties, and takes in cinematic boners, being a “frame fucker,” their respective metaphors for making movies, Rian's experiences making his upcoming Star Wars: The Last Jedi, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

On today's episode, fingerstyle guitar wunderkind (and massive Teenage Fanclub fan) Ryley Walker chats with that legendary band's frontman, Norman Blake. Their talk takes in songwriting process, challenging oneself onstage, the excitement of collaborating with experimental musicians, studio techniques, and so much more. Check it out, and subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse podcasts.  — Elia Einhorn, Talkhouse Podcast host and producer.  Today's episode was recorded by Ryley and Norman, and mixed and co-produced by Mark Yoshizumi.

On the latest episode of the Talkhouse Podcast, writer-director and frequent Talkhouse contributor Jim Hemphill sits down with Lea Thompson, whose feature directorial debut, The Year of Spectacular Men, has its world premiere at the Los Angeles Film Festival on June 16. The two old friends talk about her new movie, collaborating on Jim's movie The Trouble About the Truth, Lea's memories of working on Howard the Duck, Some Kind of Wonderful and All the Right Moves (which includes a frank discussion of her and Tom Cruise's nudity!), sexism in Hollywood, Jim's lack of prowess as an actor, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

Patterson Hood (Drive-By Truckers) and Talib Kweli both make music to make a difference. On their respective new releases American Band and The Seven (Kweli’s EP in collaboration with Styles P), the lyrics directly address social and political issues. The Southern rocker and NYC rapper sat down for the Talkhouse Podcast last month and covered a lot of ground, including: Kweli’s experiences on the ground in Ferguson; Patterson’s desire to provide a visible alternative to white Southern men as bigots in the media; Dave Chappelle’s planning meeting with Saturday Night Live’s Lorne Michaels; Harry Belafonte’s attempt to make a “We Are The World”-style song with rappers for Ferguson; and so much more. Check it out, and subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse podcasts. — Elia Einhorn, Talkhouse Podcast host and producer. Today’s episode was recorded by Mark Yoshizumi and Patterson Hood, and mixed by Mark Yoshizumi. Want to take action? Talib Kweli recommends: Indivisible.org i

On the latest episode of the Talkhouse Podcast, Kumail Nanjiani, the writer-star of the forthcoming The Big Sick, talks with Zoe Lister-Jones, whose Band Aid – which she wrote, produced, directed, stars in and wrote the songs for – is in now in theaters on VOD. In a conversation interrupted both by gardeners and Zoe's Band Aid co-star Adam Pally, the two multihyphenates chat about putting their real lives in their movies, working with their partners, getting in touch with their emotions, why comedies have terrible third acts, why Boardwalk Empire made enemies in New York, and what it's like to make a movie with an all-female crew. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

On the latest episode of the Talkhouse Podcast, comedian and actor Paul Scheer talks with his friend and former collaborator Ken Marino, whose directorial debut, the very funny How To Be a Latin Lover, is currently in theaters. In a fascinating and often hilarious conversation, the two discuss Marino's work on his new film with Mexican comedy star Eugenio Derbez and Salma Hayek; their roots in sketch comedy (Marino found fame with The State and Scheer with Human Giant); doing diverse work as writers, directors and actors; professional competitiveness; their comic histories; Pixar bloopers; Ken's love of dance, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

For the latest episode of the Talkhouse Podcast, we invited Talkhouse Music’s editor-in-chief, Amy Rose Spiegel, to choose one of her favorite episodes from the vault. The one she picked is the only episode of the podcast to ever be scored live: Caroline Polachek (ex-Chairlift) with Alan Palomo of Neon Indian. The episode, which originally aired in 2016, is presented here in its entirety with a new introduction from Amy Rose and me. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. —Elia Einhorn, Talkhouse Music Podcast host and producer New introduction recorded and mixed by Mark Yoshizumi. Last year, Alan Palomo of Neon Indian and Chairlift’s Caroline Polachek sat down at Samsung 837 in New York City for a live Talkhouse Music Podcast recording. As Alan played ambient self-generated sounds and Caroline spun an unreleased composition for atmosphere, the friends and mutual admirers discussed what can and can’t be co-opted in the arts, experimental and pop music, the

On the occasion of her autobiography Art Sex Music's American book release, industrial music pioneer and acclaimed performance artist Cosey Fanni Tutti (Throbbing Gristle, Chris and Cosey) sat down with Patti Smith Group's Lenny Kaye to discuss her fascinating life on the margins. Their conversation, which took place at McNally Jackson bookstore in New York, takes in the rise and fall of Throbbing Gristle, transgressive art shows, a hilarious story about Tutti using "Because The Night" during her strip routine, and much more. It begins with a stage-setting reading from Art Sex Music. Many thanks to McNally Jackson and Faber and Faber for allowing Talkhouse to record and release this fantastic conversation. —Elia Einhorn, Talkhouse Music Podcast host and producer

On the latest episode of the Talkhouse Film Podcast, friends, filmmakers and fellow humanists Shannon Plumb and Azazel Jacobs get up close and personal. Snuggled in bed in a room at the Lower East Side Ludlow Hotel, the pair share a unique rapport that translates to their fascination with the human condition and the deeper understanding of human beings that informs their work. The freewheeling conversation includes how Jacobs tapped into his comedic side for his new film The Lovers, starring Debra Winger and Tracy Letts, and then transcends space and time, delving into Lenny Bruce, the Clash and the possible existence of space babies. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. The music featured in the podcast is as follows: 1. Intro / outro underscore: “Plastic Man vs. the Giant Red Phase of the Sun” – Iced Ink Episode recorded by Susan Valot and mixed by Mark Yoshizumi; the

On the latest episode of the Talkhouse Film Podcast, two of the funniest (and also most underappreciated) comedians around, Todd Barry and Chris Gethard, sit down for a conversation at Sonos' flagship store at 101 Greene Street in New York City. The two multihyphenates talk about their myriad projects, including Barry's newly published book Thank You for Coming to Hattiesburg, Gethard's one-person show Career Suicide (which hits HBO later this month), the Webby Gethard just won for his podcast, but focus most of their conversation on the minutiae that is the very stuff of comics' lives: clothing choices, frequent flyer miles, college gigs, life on the road. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

With the recent release of Julia Holter’s new LP In the Same Room (which features gorgeous new live-in-studio versions of songs from her last two albums) as well as an imminent new album from Broken Social Scene, we wanted to revisit the thoughtful conversation Holter and Broken Social Scene’s Kevin Drew had last summer for the Talkhouse Music Podcast. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. —Elia Einhorn, Talkhouse Music Podcast host and producer Songwriter/composer Julia Holter and Broken Social Scene’s Kevin Drew sat down backstage at Pitchfork Fest earlier this summer to discuss the difference between writing solo and with a group, how the next Broken Social Scene record needs some Bobby McFerrin-esque acapella… and a possible collaboration. Take a listen and subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse Podcasts.

For the latest episode of the Talkhouse Music Podcast, we invited Talkhouse Music's new editor-in-chief, Amy Rose Spiegel, to choose one of her favorite episodes from the vault. The one she picked happens to be one of my faves, as well: Genesis Breyer P-Orridge with Laura Jane Grace. The episode, which originally aired in 2015, is presented here in its entirety with a new introduction from Amy Rose and me. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. —Elia Einhorn, Talkhouse Music Podcast host and producer New introduction recorded and mixed by Mark Yoshizumi. “Transsexuals are the stormtroopers of the future.” So says Genesis P-Orridge, the iconic, visionary musician who has fronted influential bands like Psychic TV and Throbbing Gristle. While P-Orridge isn’t transgender — they* call themselves a pandrogyne — their partner in this Talkhouse Music Podcast, Against Me! frontwoman Laura Jane Grace, came out as transgender in 2012. Still, as P-Orridge points out,