Art Movements

This past Monday, over a hundred members of UAW Local 2110, the largest of the Museum of Modern Art’s five unions, staged a walkout just days before negotiations were set to resume. The union members, who are employed in almost every department at MoMA, have been working over 80 days without a contract. I invited two members of UAW Local 2110 to talk to Hyperallergic and tell us what the state of negotiations is with one of the world’s leading museums of modern and contemporary art. I asked them about the sticking points and challenges of the negotiations this time around. And then I talk with Apsara DiQuinzio, curator of modern and contemporary art at the Berkeley Art Museum and Pacific Film Archives (BAMPFA) in Berkeley, California, about the Bay Area’s evolving art scene, her current exhibition featuring two artists associated with the Mission School (Alicia McCarthy and Ruby Neri), and I ask her, how truly liberal is the art world? A special thanks to Hellrazor for the music to this week’s episode, which

We talk to Susan Unterberg, the person behind the mysterious Anonymous Was a Woman foundation that gives $25,000 — no strings attached — to female artists over 40. And then we talk about a boxing exhibition at the Metropolitan Museum that’s worth a look. A special thanks to Miserable Chillers & Sun Kin for the music to this week’s episode, which features their latest album, Adoration Room. You can listen to that and more at https://miserablechillers.bandcamp.com and other streaming services.

Curator Monika Fabijanska talks about her The Un-Heroic Act: Representations of Rape in Contemporary Women's Art in the US exhibition, and arts journalist Barbara Pollack chats about her new book on an emerging generation of Chinese contemporary artists.

In our inaugural episode, we discuss the top art news headlines from the week, including how New Yorkers can use their library cards to visit 33 of the city’s museums, an unlikely museum in Thailand, how a Stolen Arab Art exhibition is exactly as advertised, and I talk to emoji activist Jennifer 8 Lee and journalist Zachary Small. Our guest this week is renowned journalist Jennifer 8 Lee. Not only is she a successful author (Fortune Cookie Chronicles) and film producer (The Search for General Tso), but Lee is a driving force behind Emojination, the people’s voice of the Emoji Consortium. We talk to her about how she helped bring the dumpling emoji

Hyperallergic's editor-in-chief Hrag Vartanian talks to Ford Foundation President Darren Walker about the public's interest in scrutinizing institutional authority, Walker's own love of art, and the renovations at the Foundation's building, and also discussed Agnes Gund's new Art for Justice fund, the role of the arts for marginalized communities, and the importance of public education. The music featured in this episode was “Give it Your Choir” by Mark Pritchard from Warp Records. You can hear more from his latest release “Under the Sun” at http://markprtchrd.com and find more great music from Warp Records at http://warp.net.

Hyperallergic travels to Cairo to see one of the new wave of exhibitions that are reintroducing Egyptian modern art, particularly related to the Art and Liberty group (often referred to as Egyptian Surrealism), to a wider audience.

Artists Marilyn Minter and Xaviera Simmons both have solo shows up in New York this month. We invited them to chat with Hyperallergic's editor-in-chief Hrag Vartanian about sex, art, gender inequality, Planned Parenthood, and the election.

Hyperallergic's Editor-in-chief Hrag Vartanian speaks to mega-collector Don Rubell of the Rubell Family Collection about decades of collecting and establishing one of the biggest collections of contemporary art in the world.

In the Oceti Sakowin Camp at Stadning Rock, North Dakota, there is a prominent art tent area. Dozens of artists and volunteers are silkscreening and producing work among the thousands of waterprotectors and their allies, which have arrived to stop the Dakota Access Pipeline from crossing the Missouri River. Among those artists is Standing Rock native Cannupa Hanska Luger and three of his friends, Jesse Hazelit, Raven Chacon, and Dylan McLaughlin. Hyperallergic spoke to the friends to discuss what is going on at Standing Rock and what role art plays.

Native American women grapple with the highest rates of sexual violence in the United States and two Native American artists, Rebecca Nagle and Graci Horne, have traveled to Standing Rock to create a Healing Tent and to work on their Monument Quilt project, which addresses sexual violence.

Hyperallergic traveled to Oceti Sekowin Camp at Standing Rock, where thousands of water protectors and their allies are trying to stop the multi-billionaire dollar Dakota Access Pipeline, which is being pushed by the government and major oil companies. We talk to artists about why they’re there and what they are doing to listen, learn, inspire, and heal.

Curator and art historian Kellie Jones is the guest for our latest episode. A 2016 McArthur Fellow, Jones is a lifelong New Yorker and an associate professor at Columbia University. She spoke to Hyperallergic about her work, life, and the evolving world of contemporary art. Photo: John D. & Catherine T. MacArthur Foundation

The impeachment of Brazil’s President Dilma Rousseff and the current economic crisis will have a long-lasting impact on the country, including on one of the largest open-air contemporary art collections in the world.

Why were women excluded from the art movement that has come to represent some of the best of 20th century American art? The answer may be rather complicated and Hyperallergic’s editor-in-chief Hrag Vartanian interviews “Women Of Abstract Expressionism” exhibition curator Gwen Chanzit, Abstract Expressionism artist Judith Godwin, feminist art historian Linda Nochlin, and critic/curator Karen Wilkin to understand the issue.

In the third episode of the Hyperallergic Podcast, we talk to artists Hank Willis Thomas and Eric Gottesman about the For Freedoms Super PAC, which promises to shake things up during the 2016 US Presidential election by inviting artists to reflect on important topics during the run up to Election Day.

Our second podcast focuses on New York's borough of Queens, which is becoming a growing hub of artistic activity in the city. We talk to Tania Bruguera about her Immigrant Movement International project in Queens and her experience in Cuba, then we chat with artist Mariam Ghani about her commissioned mural at the Queen Museum, and finally we wander the Queens International biennial with director Laura Raicovich and guest co-curator Lindsey Berfond to discuss the exhibition's themes of accumulation and globality.

Our inaugural podcast sends our editor-in-chief Hrag Vartanian to Morocco to visit the 6th Marrakech Biennial curated by Reem Fadda. There are interviews with the curator and artists Haig Aivazian (Lebanon) and Dineo Seshee Bopape (South Africa), as well as discussions of Superflex’s “Kwassa Kwassa” and Khaled Malas’ "Windmill in Eastern Ghouta (Syria).”