New Books In Literature

Justin Gardiner is the author of two nonfiction books and a collection of poetry. His most recent title is the book-length lyric essay Small Altars, published by Tupelo Press in 2024. Besides his role as Nonfiction Editor for Southern Humanities Review, Justin is also an Associate Professor at Auburn University. Founded in 1967, SHR considers subject matter both within and beyond the South. The magazine has had Justin Gardiner as its nonfiction editor for the past half decade. Four essays are discussed in the episode, with most of all of them showing evidence of the associative qualities that Gardiner, as a poet, enjoys in whatever genre. In this case, we started with Lisa Greenwell’s essay “Your Soul Doesn’t Need You.” While ostensibly an essay about a carjacking she experienced, it goes wider to consider alike how well both more cognitively based therapy and poetry that speaks to one’s soul can aid recovery. In Leslie Stainton’s “Here with You,” an understanding of how the artist Joseph Cornell’s boxes refl

Building parallels between technology and the human imagination, Masande Ntshanga’s conversation with Magalí Armillas-Tiseyra explains how cities are like machines and how South African history resembles some of the most sinister versions of techno-futurism. Masande is the author of two novels: The Reactive, winner of a Betty Trask Award in 2018, and Triangulum, nominated for the 2020 Nommo Awards for Best Novel in 2020 by the African Speculative Fiction Society. His responses to Magalí’s questions interweave autobiography and history, showing how when you venture into “underwritten spaces” in South Africa, realism starts to seem like speculation. Masande moves from playing bootleg Nintendo and hacking Lego sets in Ciskei, a “homeland” under the apartheid government’s Bantustan system, to data mining and novel writing in the global cities of Cape Town and Johannesburg. All the while, technology is never something “we’re resigned to experiencing” and “endorsing” in fiction—it can be a medium of contemplation a

Joan Leegant’s new story collection, Displaced Persons (New American Press 2024) delves into human stories of living in the 21st century. Characters transform after illness or divorce, move to a new city or a new country, get caught between different cultures and traditions, or stumble into scary situations. People can be resilient about change and might rebuild themselves after loss, suffering, and illness, but they don’t all bounce back with equal fervor. Characters struggle with Jewish identity, family issues, social expectations, and health, and stories are set now and, in the past. Some stories are in the states, others are in Europe and Israel. This is a brave collection during a time when antisemitism is bubbling up again, and memories of times past seem surprisingly current. Joan Leegant’s first book of stories, An Hour in Paradise: Stories (W.W. Norton, 2003), won the PEN/New England Book Award and the Edward Lewis Wallant Award, and was a Finalist for the National Jewish Book Award and a Barnes & No

Failed Pitbull impersonator Ismael Reyes--you can call him Izzy--might not be the Scarface type, but why should that keep him from trying? Growing up in Miami has shaped him into someone who dreams of being the King of the 305, with the money, power, and respect he assumes comes with it. After finding himself at the mercy of a cease-and-desist letter from Pitbull's legal team and living in his aunt's garage-turned-efficiency, Izzy embarks on an absurd quest to turn himself into a modern-day Tony Montana. When Izzy's efforts lead him to the tank that houses Lolita, a captive orca at the Miami Seaquarium, she proves just how powerful she and the water surrounding her really are--permeating everything from Miami's sinking streets to Izzy's memories to the very heart of the novel itself. What begins as Izzy's story turns into a super-saturated fever dream as sprawling and surreal as the Magic City, one as sharp as an iguana's claws, and as menacing as a killer whale's teeth. As the truth surrounding Izzy's boyhoo

In this episode, Jenna Tang shares with us her translation of Lin Yi-Han's Fang Si-Chi's First Love Paradise: A Novel (HarperVia, 2024), one of the most iconic works of Taiwan's #MeToo movement. Thirteen-year-old Fang Si-Chi lives with her family in an upscale apartment complex in Taiwan, a tightknit community of strict yet doting parents and privileged children raised to be ambitious, dutiful, and virtuous. She and her neighbor Liu Yi-Ting bond over their love of learning and books, devouring classic works--Proust, Gabriel García Márquez, the very best Chinese writers. Yet, it is their lack of real-world education that makes them true kindred spirits. Si-Chi's innocence is irresistible to Lee Guo-hua, a revered cram literature teacher and serial predator who lives in her building. When he offers to tutor the academic-minded girls for free, their parents--unaware of Lee's true nature--happily accept. While Yi-Ting's studies with Lee are straightforward, Si-Chi learns about things no one teaches them in school

Emily Pacheco speaks with writer and researcher Jessica Kirkness about her memoir, The House with All the Lights on: Three Generations, One Roof, a Language of Light (Allen & Unwin, 2023). Jessica has published in Meanjin and The Conversation, as well as other outlets. Her PhD focused on the ‘hearing line’: the invisible boundary between Deaf and hearing cultures. She is also a teacher of nonfiction writing at Macquarie University in Sydney, Australia. The House With All The Lights On explores linguistic and cultural dynamics within Deaf-hearing families. Jessica shares her experience having Deaf grandparents and navigating the cultural borderline between Deaf and hearing cultures. It is a wonderful memoir about family, the complexities of identity, and linguistic diversity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Mayada Ibrahim speaks to managing editor Emily Everett about her translation of “Symphony of the South,” a short story by Tahir Annour that appears in The Common’s most recent issue, in a portfolio of writing in Arabic from Chad, South Sudan, and Eritrea. Mayada talks about the process of translating this piece, including working with the author and TC Arabic Fiction Editor Hisham Bustani. She also discusses gravitating toward translation as a way to reintegrate Arabic into her life, after years of studying and learning in English. Her translation of Forgive Me, a novel set in Zanzibar and co-translated with her father, will be out in the UK this year. Mayada Ibrahim is a literary translator based in Queens, New York, with roots in Khartoum and London. She works between Arabic and English. Her translations have been nominated for the Pushcart Prize and published by Archipelago Books, Dolce Stil Criollo, and 128 Lit. She is managing editor at Tilted Axis Press. ­­Read “Symphony of the South” in The Common at t

From the author of Sea Change comes Green Frog: Stories (Vintage, 2024) a short story collection that explores Korean American womanhood, bodies, animals, and transformation as a means of survival. Equal parts fantastical--a pair of talking dolls help twins escape a stifling home, a heart boils on the stove as part of an elaborate cure for melancholy, a fox demon contemplates avenging her sister's death--and true to life--a mother and daughter try to heal their rift when the daughter falls unexpectedly pregnant, a woman reexamines her father's legacy after his death--the stories in this collection are hopeful and heartbreaking, full of danger and full of joy. Chung is a master at capturing emotion, and her characters--human and otherwise--will claw their way into your heart and make themselves at home. Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract

In 2007 Ukraine, following the death of her husband, Yefim Shulman, Nina finds a letter he wrote to the KGB confessing the secret he’d kept for over 50 years. If it came out that his unit was wiped out and he was taken as a prisoner of Germany during WWII, he would have been considered a traitor to the USSR. After surviving the Red Army, Nazi prison camps and forced labor, Yefim decides to keep the secret of his survival, and invents a story for his wife and children. In the post-war regime, the wrong lie can mean exile or death, and when years later, his presence is demanded by the KGB, he knows that it’ll be easier for him and his family if he’s completely honest. Your Presence Is Mandatory (Bloomsbury, 2024) is a story of Jewish survival, Russian deception, secrecy, and societal disfunction, and the struggle of Ukrainians to endure another war. Sasha Vasilyuk is a journalist and author who grew up in Ukraine and Russia before immigrating to the U.S. at the age of 13. She has an MA in Journalism from New Yo

What if the January 6, 2021 Insurrection had been successful? A tale of what was, what could have been, and what still could be? 1/6: The Graphic Novel (Sun Print Solutions, 2023) chillingly illustrates how close we came to authoritarian rule in America and the threats to our democracy that we still face. In the tradition of speculative fiction from George Orwell’s 1984 to Margaret Atwood’s Handmaid’s Tale to the Twilight Zone, it explores themes of autocracy, scapegoating, strategic disinformation, and more, all told through a compelling, character-driven story. Drawing on real-life events, 1/6 travels the road that led from back-room meetings, white supremacist rallies, and the Four Seasons Landscaping parking lot to a violent attack on the Capitol that left several Americans dead and shook our nation to its core. It then imagines a world in which the events of that day turned out very differently. 1/6 is for lovers of graphic novels, lovers of speculative fiction, lovers of politics, and lovers of our demo

Few destinies are more challenging than life in the orbit of a man obsessed with expanding his power at all costs. Such is the fate endured by Ivan Ivanovich (Ivan the Young), eldest son of Russia’s Ivan III (r. 1462–1505) and the narrator of A. Engels’s novel, A Fool for an Heir. While his father focuses on extending his reach into neighboring principalities and overcoming the legacy of a brutal civil war, little Ivan dreams of becoming a hero like those in the chronicles he reads with his tutor. The sudden, violent death of the boy’s mother forces him into the world of men, where he masters the skills of sword and bow, as well as the art of command. Yet even as Ivan marries and has children of his own, he remains in his father’s shadow. Appalled by the older Ivan’s attacks against other lands—including some ruled by members of his own family—and by the cruel suppression of dissent both there and at home, Ivan the Younger increasingly feels driven to defend his father’s victims, especially one whom he sees a

Omar El Akkad joins critic Min Hyoung Song for a gripping conversation that interrogates fiction’s relationship to the real. Before he became a novelist, Omar was a journalist, and his experiencing reporting on (among other subjects) the war on terror, the Arab Spring, and the Black Lives Matter movement profoundly shapes his fiction. His first novel, American War (Vintage, 2018), follows the protagonist’s radicalization against the backdrop of afossil fuel-motivated civil war. His second, What Strange Paradise (Vintage, 2022), is a haunting retelling of Peter Pan focused on a young Syrian refugee. But as Omar and Min’s dialogue reveals, literary criticism doesn’t always get the politics of political fiction right. Their conversation moves from the preoccupation with “literal prophecy” which plagues the reception of speculative fiction in general and climate fiction in particular to the multifaceted appeal of the fantastical in writing migration stories. They discuss Omar’s interest not in extrapolation, but

Robert Boyers founded the quarterly Salmagundi in 1965 and has been its editor in chief ever since. He’s the author of 12 books, including most recently Maestros Monsters: Days & Nights with Sontag and Steiner and before that The Tyranny of Virtue: Identity, The Academy and the Hunt for Political Heresies. Besides teaching at Skidmore College, he directs the New York State Summer Writers Institute. Salmagundi rightly prides itself on hosting wide-ranging, inquisitive discussions of major topics involving race, gender, literature, psychology and so much more. This discussion goes in depth on four entries from the magazine. First up: “Talking Race Matters: A Conversation with John McWhorter & Thomas Chatterton Williams” explores the limits of racial essentialism as well as total assimilation that risks denying what is unique about the Black perspective and experience. A second piece is Elizabeth Benedict’s essay, “What’s the Matter with Sex?” It tackles how far the influence of pornography has gone (astray) as

Today’s book is: The Translator’s Daughter: A Memoir (Mad Creek Books, 2024), by Grace Loh Prasad, which is a unique immigration story about the loneliness of living in a diaspora, the search for belonging, and the meaning of home. Born in Taiwan, Grace Loh Prasad was two years old when the threat of political persecution under Chiang Kai-shek’s dictatorship drove her family to the United States, setting her up to become an “accidental immigrant.” The family did not know when they would be able to go home again. This exile lasted long enough for Prasad to forget her native Taiwanese language and grow up American. Having multilingual parents—including a father who worked as a translator—meant she never had to develop the fluency to navigate Taiwan on visits. But when her parents moved back to Taiwan permanently when she was in college and her mother was diagnosed with Alzheimer’s, she recognized the urgency of forging a stronger connection with her birthplace before it was too late. As she recounts her journey

How to Love in Sanskrit (HarperCollins, 2024) is an invitation to Sanskrit love poetry, bringing together verses and short prose pieces by celebrated writers. How do you brew a love potion? Turn someone crimson with a compliment? How do you make love? How do you quarrel and make up? Nurse a broken heart? And how do you let go? There's something for everyone in this brilliantly translated ancient guide to love for modern readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The Truth Against the World (Square Tire Books, 2023) is a brilliant literary fantasy about a divided, dystopian America on the verge of war. Shane, a former Irish combat soldier with a murky past, wants to save his young friend Georgie O’Halloran, who turned his stories of Celtic history and folklore into a beautifully illustrated book. She gave the book to her professor, who published it under his name and earned millions. It became a wildly popular video game that continues to inspire a violent transformation of America by roaming gangs of murderers. Shane, already trying to free Georgie from the psychiatric institution where she’s been hidden by her money-grubbing stepmother, is devoted to finding the deceitful professor. They embark on a cross-country journey, tracked by those in power and pursued by murderers. David Corbett is the author of seven novels, which have been nominated for numerous awards, including The Edgar. His short fiction has twice been selected for Best American Mystery Stories, and a

Holes splices forms of fiction and nonfiction. The narrator, a researcher of limits at an unidentified university, figures her entanglement with an unobtainable love object as the descent into a black hole. Everything she reads seems to shed light on the non-events that comprise their relationship, and study collapses into life as she struggles to separate events and forms, reality and ideation. Holes is a study in thematic fixation, engaging a range of ‘obsessional artists’ (including Yayoi Kusama, from whom the term is borrowed, Lee Bontecou, and Carolee Schneemann) for whom holes—as idea, imagery, philosophy—have proved evocative, inviting, and occasionally obliterative. In this NBN interview, Holes is exlored and discussed as an experimental biography of holes. Hilary White is a writer and researcher, currently an IRC postdoc at Maynooth University, Ireland, working on a project entitled Forms of Sleep. She co-ran the experimental poetry reading and commission series, No Matter, in Manchester, and co-edit

Eliza Chan’s debut novel Fathomfolk (Orbit, 2024) takes place in the semi-submerged city of Tiankawi, where humans and fathomfolk - a collection of peoples including sirens, seawitches, kelpies, and kappas - navigate an increasingly tense political situation. The novel follows half-siren Mira, the recently promoted captain of the border guard and Nami, a young exiled royal from a neighboring city as they push for political change and grapple with the city’s growing violence and social unrest. In this interview, Chan discusses setting-as-character and the depiction of pollution and climate catastrophe in fantasy. She describes her love of folklore, the importance of depicting supportive male partners, and the role of class and poverty in the book. We also chat about creating fictional diseases and the role of motherhood in the novel. Fathomfolk is a unique and imaginative story and it was a joy to discuss it with the author. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by bec

In Ryan Kenedy’s debut novel, The Blameless (University of Wisconsin Press 2023 ) we meet Virginia, an exhausted adjunct professor and divorced mother of an autistic five-year-old, whose father only takes him for one weekend a month. Virginia is lonely and struggling to make a living as an adjunct professor of English. When she learns that the man who murdered her father has been released from prison despite a life sentence, she decides to confront him and mete out his just punishment. She traces Travis Hilliard to a remote place in the Mojave Desert. He’s inherited his uncle’s trailer on an isolated strip of land and is trying to rebuild his life outside of prison. Because Virginia doesn’t have anyone to care for her little boy, she brings him along for the confrontation. Ryan Kenedy was born and raised in the working-class neighborhoods of California's Central Valley. He holds an MFA in fiction writing from California State University, Fresno, and has taught writing and literature for over twenty-five years

Inspired by Virgil’s exquisitely ambivalent phrase “sunt lacrimae rerum” (there are tears of/for/in things), Andriy Sodomora, the Ukrainian “voice” of classical antiquity, has produced a series of original vignettes and essays about things: the big things in our lives (like happiness, loneliness, and aging); the small things we do or see daily, rarely paying attention to them (like a tree’s shadow or the kernels on an ear of corn); and the things (i.e., objects) to which we form connections. The selected stories presented here are the first English translations of Sodomora’s profoundly intellectual and intertextual prose. Through his nostalgic memories and recollections, Sodomora takes readers on a journey through western Ukraine, as well as through world literature, from ancient Greece and Rome to the poetry of Paul Verlaine and Federico García Lorca. The Tears and Smiles of Things: Stories, Sketches, Meditations (Academic Studies Press, 2024) has been published with the support of the Translate Ukraine Tran