UC Santa Barbara (Audio)

Eric Faden (Bucknell University) discusses his work on the Japanese Paper Film Project, a project that has been preserving paper films made in Japan in the 1930s. Koto player Yoko Reikano Kimura and cellist Hikaru Tamaki (Duo Yumeno) joins Faden and moderator Alex Lilburn (Film and Media Studies, UCSB) to talk about how the preservation work was carried out and their experiences presenting the digitized films with live musical accompaniment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40924]

Mona Damluji (Film and Media Studies, UCSB) and Elisabeth Weber (German and Slavic Studies, UCSB) join moderator Bishnupriya Ghosh (English and Global Studies, UCSB) to discuss the film project From Ground Zero, an anthology of films made by Palestinian filmmakers since the beginning of the war in Gaza. They discuss how the films present a unique vision of Gaza, showing a vibrant society dealing with the outbreak of war, and how the films urge the audience to become informed viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40923]

Coastal Santa Barbara is considered one of the most idyllic locations on the North American West Coast, but its beauty is frequently disrupted by fast-spreading, wind-driven wildfires. The east-west oriented Santa Ynez Mountains (SYM), rising abruptly over 1,000 meters from the coastal plain, create a distinct climatic environment by separating the cool, stable air over the Pacific from the much drier atmosphere of the Santa Ynez Valley. This topography leads to unique regional wind patterns, including the Sundowner winds, which occur along the southern slopes of the SYM. Leila Carvalho, Professor of Geography and a researcher at the Earth Research Institute at UC Santa Barbara, studies regional and large-scale climate variability and change, including monsoon dynamics, tropical-extratropical interactions, extreme precipitation and temperature events, mountain weather and climate, and regional modeling. Series: "GRIT Talks" [Science] [Show ID: 41039]

Film historian Rebecca Prime joins moderator Ross Melnick (Film and Media Studies, UCSB) for a discussion of the classic Hollywood film The Sound of Fury. Prime outlines the film’s production history and how its political and social commentary was shaped by its director, Cy Endfield, who would go on to be blacklisted due to his association with the Communist Party. They further discuss Endfield’s subsequent work in London and how he struggled with the blacklist for the rest of his career. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40919]

Documentary subject and Chicano activist Jerry Ramirez joins moderator Clint Terrell (English, UCSB) for a discussion of the documentary film American Homeboy. They discuss Ramirez’s involvement with the film, his relationship to his Chicano identity, and how his experience being incarcerated fueled his activism, particularly in relation to Chicano issues. Ramirez and Terrrell reflect on how the film portrays Chicano history, including how Chicana and Chicano identity has been shaped over time. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40921]

How should federal governments attempt to right, or at least remedy, past wrongs? Is it appropriate for victims of group-based harms or their descendants to press current generations to atone for the sins of their predecessors? Grace Kao, Professor of Ethics and the inaugural Sano Chair in Pacific and Asian American Theology at Claremont School of Theology, explores these questions by drawing upon the emerging human rights standard for reparations, theological resources from her Presbyterian faith tradition, and four case-studies of acknowledged wrongdoing against AAPI communities. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 40876]

Over 20 years since its release, Hedwig and the Angry Inch remains as relevant as ever to the politics of the day. A child of division, Hedwig refuses to be caught between categories, instead evading gender description and embracing herself as lovingly as one can. Writer/director/actor John Cameron Mitchell joins moderator Patrice Petro, Dick Wolf Director of the Carsey-Wolf Center, to discuss a post-screening of Hedwig and the Angry Inch. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40922]

Film curators Michelle Baroody and Maggie Hennefeld join moderator Patrice Petro for a discussion of their program “Archives of Anonymous Labor: From Farce to Liberation.” The program juxtaposes five films that about anonymity and labor, from silent films that show the invisible labor of housemaids and film editors to films that highlight the erased labor of decolonial struggle. This program is part of the Carsey-Wolf Center annual conference Anonymous Labor in Film and Media. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40920]

Carol Stabile (Clark Honors College, University of Oregon) joins moderator Patrice Petro for a discussion of “CBS and the 1950s Blacklist,” a program that included an episode of the television sitcom The Goldbergs and William N. Robson’s radio broadcast titled “Open Letter on Race Hatred.” They discuss the history of anti-communist activism in the U.S. and how CBS capitulated to the FBI and its blacklisting campaign. Stabile also outlines how the FBI targeted public intellectuals and artists. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40918]

Is sacred space protective space? This question lies at the heart of the Sanctuary Movement. From the 1980s to the present, this practice has protected undocumented immigrants at risk of deportation by offering them refuge in churches, where federal immigration agents to this day still fear to tread. In this lecture, Lloyd Barba, Assistant Professor of Religion and Core Faculty in Latinx and Latin American Studies at Amherst College, asks how these houses of worship in the 1980s protected migrants from immigration enforcement authorities. What histories and testimonies rendered such spaces sacred and lent houses of worship qualities of safe refuge? And what is the applicability of these practices today? Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 40877]

In their 2020 documentary series Move, French filmmakers Thierry Demaizière and Alban Teurlai take viewers on a tour of the world of dance, shining a spotlight on the artists that shape the art of movement. In this program, UCSB's Stephanie Batiste talks with Jon Boogz and Lil Buck, who have shown throughout their careers that street dance is a form of high art - with artistry and originality. Series: "Carsey-Wolf Center" [Arts and Music] [Show ID: 40738]

What are the future horizons for indigenous repatriation work? What are best practices in repatriation settings, and how might they inform repair work in other contexts, such as education or land returns? This panel discussion looks at the work of Chumash leaders and broader Indigenous repair work nationally and globally. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 40662]

Filmmaker RaMell Ross joins moderator Mireille Miller-Young, UCSB Feminist Studies, for a discussion of Nickel Boys. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40545]

Filmmaker Adamu Chan joins UC Santa Barbara’s Althea Wasow for a powerful conversation about "What These Walls Won’t Hold", a documentary he created while incarcerated at San Quentin during the COVID-19 pandemic. The film, which aired nationally on PBS’s "America ReFramed", captures the resilience and activism of incarcerated people and their communities in the face of crisis. Chan shares how filmmaking became a tool for resistance and healing, offering an inside look at life behind bars. This discussion explores the film’s creative process, its social justice impact, and the importance of centering incarcerated voices. It’s an inspiring program about storytelling, humanity, and the power of community—even in the most challenging circumstances. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40540]

The Carsey-Wolf Center welcomes Jeff Bridges and Amy Brenneman, the award-winning stars of The Old Man, for a conversation with director/writer/producer Brad Silberling. Bridges and Brenneman share their creative perspectives on the series’ treatment of aging and discuss other aspects of their unique collaboration. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40544]

The Moon and Back is the directorial debut of UCSB Film and Media Studies alumnus Leah Bleich. The Carsey-Wolf Center was proud to welcome Leah back to campus for a discussion of her film with UCSB moderator Ross Melnick. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40543]

In collaboration with the Transnational Italian Studies Program, the Carsey-Wolf Center presents a discussion examining the long history of Black African life in Italy with filmmakers Daphne Di Cinto and Medhin Paolos and UCSB moderator Stephanie Malia Hom. They discuss the short films Il Moro and Asmarina. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40541]

Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock’s 1951 classic Strangers on a Train. Adapted from Patricia Highsmith’s debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he’ll kill Guy’s wife, and Guy will kill Bruno’s father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock’s most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]

Nicholas Baer, author of Historical Turns: Weimar Cinema and the Crisis of Historicism, joins moderator and Carsey-Wolf Center Director Patrice Petro for a discussion of Sunrise: A Song of Two Humans. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40537]

What’s next for the battle over abortion? In this lecture, Mary Ziegler argues that undoing Roe v. Wade was never the endpoint for the antiabortion movement. Since the 1960s, the goal has been to secure recognition of fetuses and embryos as persons under the 14th Amendment, making abortion unconstitutional. The battle for personhood also aims to overhaul the regulation of in vitro fertilization and contraception, change the meaning of equality under the law, and determine how courts decide which fundamental rights Americans enjoy. Mary Ziegler is one of the world’s leading historians of the U.S. abortion debate, and an expert on the law, history, and politics of reproduction, health care, and conservatism in the U.S. She is the author or editor of numerous articles and seven books on reproduction, autonomy, and the law. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Show ID: 40704]