Broken Record

Famed drummer for the Police and composer Stewart Copeland has one of the more fascinating bios in modern music. His father was a founding member of the CIA and his mom worked in British Intelligence. After playing in the successful UK prog rock band Curved Air in the mid 70s, Stewart started a new band called the Police with bassist and lead singer, Sting—and eventually guitarist Andy Summers. Over the next decade the Police would go on to become one of the top-selling rock bands of all time, selling over 75 million records. Last year Stewart released the book, “Stewart Copeland’s Police Diaries,” which includes his personal notes dating back to the band’s formation in 1976 through 1978, when they started to take off. On today’s episode Bruce Headlam talks to Stewart Copeland about the first time he saw Sting play and how he was able to successfully lure him into his then non-existent band. Stewart also explains why he and Sting eventually had a musical falling out, and how the Arabic rhythms he heard growin

Justin Timberlake is one of the most high achieving pop phenomenons of the past three decades. In 1993 he helped relaunch the Mickey Mouse Club where he sang and danced alongside Rylan Gosling and other now luminaries. Then he broke records and sold over 70 million albums worldwide with *NSYNC. And if that weren’t enough, he launched an incredibly successful solo career in the early aughts where he found a musical soulmate in Timbaland who Justin's worked with in some capacity over the course of his six solo albums. So with all that hard earned success behind him, it’s been interesting to see the online drubbing JT's taken the last couple of years. Curious about how he might respond musically, it turns out, his new album Everything I Thought It Was, is everything you’d hope to hear from JT including a surprise *NSYNC reunion. On today’s episode Justin Richmond talks through Justin Timberlake’s new album with him as he dissects key tracks from it. JT also recalls how Micheal Jackson helped inspire his solo car

Brandi Carlile’s knack for uplifting the musicians she loves is exemplary. After her own hard-earned ascent to fame over the course of seven studio albums, Brandi started to turn her sights to producing albums for artists she deeply admires, including Tanya Tucker who she’s been on Broken Record with in the past but also Brandy Clark. Then there’s Joni Mitchell—who, thanks to Brandi’s encouragement—has recently made a glorious return to performing live. Brandi’s passion for the projects she works on is infectious. The latest is an EP she produced for 18-year-old singer/songwriter Tish Melton called, When We’re Older. Over the course of the five-song collection, Tish pulls influence from artists like Phoebe Bridgers and Lucy Dacus. Tish, whose mom is the New York Times bestselling author Glennon Doyle, is teeming with talent on her EP, which includes heartfelt songs that expertly capture a wise-beyond-her-years self assuredness. On today’s episode Leah Rose talks to Tish Melton and Brandi Carlile about their c

Natalia Lafourcade is a force. As you’ll hear when she sings during our conversation today she has a gorgeous voice. But she’s also a deft songwriter who’s able to weave together traditions that feel both modern and old at once. And she’s also a beautiful interpreter of song—take for instance the phenomenon that was the song “Remember Me” from Pixar’s film Coco. Or take the many instances where she’s recorded some of the classic songs from across Latin America—performing on songs by greats like Violetta Parra from Chile and Agustín Lara from Natalia’s home state of Veracruz, Mexico. After spending the last seven years interpreting those masters, Natlia’s released De Todas Las Flores, her first album of originals since 2015. On today's episode Justin Richmond talks to Natalia Lafourcade about the evolution of her artistry over the last 25 years. She recalls the time a hummingbird inspired her to move past a creative rut, and how the logistical challenges of recording her latest album to tape wound up creating

In recognition of this month's World Happiness Day, we are presenting one of our favorite episodes from last year with Janelle Monàe and her longtime collaborator, Nate Wonder. Janelle's latest album, The Age Of Pleasure, was created in part as a celebration of black love and community. And as Nate Wonder shares in this interview with Justin Richmond, one of his guiding principles when making the album was to make Janelle smile. As part of Pushkin Industries' network-wide celebration of World Happiness Day, we will also be sharing an episode of The Happiness Lab from our brilliant colleague, Laurie Santos later this month.See omnystudio.com/listener for privacy information.

At 70 years-old, Kim Gordon—the former bassist and founding member of Sonic Youth—is just now making the most abrasive music of her career. She just dropped her second solo album, The Collective, with producer Justin Raisen, who’s previously worked with artists like Drake, Lil Yachty, and Charli XCX. Kim’s spoken-word-like vocals on The Collective are the perfect accompaniment to Justin’s distorted trap-style beats. On today’s episode Leah Rose talks to Kim Gordon about her latest solo album, as well as her memoir, Girl In A Band, that detailed her split with ex-husband Thurston Moore. Kim also delves into why she always felt like an outsider in New York City’s thriving downtown art scene. And she recalls Sonic Youth’s storied tour in the early ‘90s opening up for Neil Young. You can hear a playlist of some of our favorite Kim Gordon songs HERE.See omnystudio.com/listener for privacy information.

To kick off our month-long celebration of Women's History Month, today we're featuring an interview with Polly Jean Harvey, a.k.a. PJ Harvey, who is without question one of the most gifted songwriters of our time. Her debut album, Dry, came out in 1992 and was what the LA Times called a near “instant classic.” The same with her sophomore release, Rid of Me—which became an inspiration for Nirvana’s last album: In Utero. Ten albums later and Polly continues to be not only a remarkable songwriter on her new album “I Inside the Old Year Dying” but...maybe more impressively...continues to find new musical territory and new voices to write from. Keeping her songs and artistry as interesting as it was when she first put music out 30 years ago. John Parish, who’s been a frequent collaborator of Polly’s since the 1980's produced the new album—along with Flood—and joins Justin Richmond in conversation with Polly to discuss their process of working together, the beauty of Polly’s last few albums and how they bonded long

For the last installment of our Thursday Black History Month drops, how could we not revisit our episode with the incomparable Sonny Rollins? Listening to Sonny is like history coming right off the page. He’s living, breathing black history and one of the greatest tenor players of all time.See omnystudio.com/listener for privacy information.

The last couple of years have been huge for Jason Isbell. The Alabama-born singer-songwriter’s latest album Weathervanes won the Grammy for Best Americana album this year. He also snagged a role in Martin Scorsese's film, Killers Of The Flower Moon, which is up for Best Picture at this year’s Oscars. There was also a critically acclaimed HBO documentary released last year about the making of Isbell’s previous album with the 400 Unit, Reunions, that put his personal life on full display. On today’s episode I talk to Jason Isbell about his exhilarating experience filming Killers of the Flower Moon and how he prepared to act in scenes opposite Leonardo DiCaprio (heads up—there are some major spoilers in this conversation). Jason also contemplates how he will write about the dissolution of his marriage, and why he struggles to write a balls-out rock song. You can hear a playlist of some of our favorite Jason Isbell songs HERE.See omnystudio.com/listener for privacy information.

We’re halfway through Black History month and although we didn’t intend to rerun some of our older conversations to celebrate the month, after realizing we needed to do something to mark Usher’s Super Bowl performance and the release of the new Bob Marley biopic “One Love,” we figured we might as well keep going and celebrate the whole month long…because now we have a country album from Beyonce on the way. Beyonce released two songs from her upcoming album the night of the Super Bowl—“16 Carriages” and “TEXAS HOLD ‘EM”—to a rapturous response. Not only are the songs good. But they sparked a lot of meaningful conversations about the usefulness of genres, the way marketing shapes our listening and gatekeeping in music. Those are all things very close to Rhiannon Giddens’ heart. As a black banjo player, steeped in the Americana tradition—and its Transatlantic roots—she’s been living this conversation her whole career. Rhiannon also happens to play on the song “TEXAS HOLD ‘EM” with Beyonce. Which just this week h

Since releasing their critically acclaimed debut album, Brutalism, in 2017, the British band IDLES have dropped four other albums in quick succession. The band’s bombastic sound brilliantly balances joy, chaos, and an often critical take on the powers that be. IDLES latest album, TANGK, was produced by the band's guitarist Mark Bowen, Kenny Beats, and Radiohead producer, Nigel Godrich. On today’s episode Justin Richmond talks to Joe Talbot and Mark Bowen from the greenroom of the Tonight Show with Jimmy Fallon about their tumultuous creative partnership. They also explain how Mark helps temper Joe’s sometimes passionate rage, and Joe breaks down why he will forever despise England’s monarchy. You can hear a playlist of some of our favorite IDLES songs HERE.See omnystudio.com/listener for privacy information.

Last week we revisited our conversation with Usher to celebrate his Super Bowl performance and the incredible career resurgence he’s had over the last couple of years. In thinking about our catalog, I thought there was another conversation worth revisiting - Malcolm Gladwell speaking with Ziggy Marley about the cultural influence the tiny country of Jamaica and Ziggy’s dad, Bob Marley, have had over the last half a century. The Bob Marley biopic One Love was released in theaters yesterday. I hope anyone familiar with Bob Marley will go see it at some point. If only to keep the conversation about his songs and his political thinking alive and to guard against his legacy becoming further whitewashed and commercialized. So listen Malcolm’s conversation with Ziggy from a couple of years back, see the movie and then spend some time with the Marley catalog and with some of the other great music to come out of that era from Prince Buster to Alton Ellis and beyond.See omnystudio.com/listener for privacy information.

In the minds of many rock fans, Duff McKagan will forever be known first and foremost as the bassist for Guns N' Roses. The band’s white-hot reign in the late '80s through the early '90s is the stuff of hedonistic, hard rock legend. And for anyone interested in reading a detailed account of that wild ride, check out Duff’s memoir, “It’s So Easy and Other Lies.” After turning 30, Duff got sober, eventually left GNR, and then went on to play stints in Alice In Chains and Jane’s Addiction—and he helped form the supergroup, Velvet Revolver. In 2016, he rejoined Guns N' Roses following their induction into the Rock N Roll Hall of Fame. Outside of his contributions to big name rock bands, Duff has also been releasing solo material since the early '90s. His latest album, Lighthouse, signals a new musical direction for Duff—one that focuses on reflective, personal lyrics and stripped-down rootsy-rock. On today’s episode Leah Rose talks to Duff McKagan about his decision to leave the heroin-infested punk rock scene in

Four decades into his career, Usher is at the peak of his powers. In the year since he was on Broken Record, Usher became the king of the Las Vegas strip. According to Billboard, he grossed over $100 million dollars during his beloved Vegas residency. To celebrate his much anticipated halftime performance at this year's Super Bowl, along with his upcoming arena tour, and the release of his new album “Coming Home,” here's Justin Richmond's conversation with the one and only, Usher.See omnystudio.com/listener for privacy information.

Countless decisions, large and small, aided The Beatles’ ascent to the top of popular culture. The release of their debut single, “Love Me Do,” in the UK in the fall of 1962 was one of those decisions. Their debut on American television was another. In this first episode of season two, Paul McCartney and Paul Muldoon discuss the early evolution of The Beatles. Season Two of McCartney: A Life in Lyrics comes out weekly starting February 7th, and features the stories behind songs like Yesterday, Band on the Run, Here, There and Everywhere, Picasso’s Last Words (Drink to Me) and many more. Follow the show to learn more about Paul McCartney’s songwriting process, the creation of Wings, the development of McCartney’s bass playing over the life of The Beatles and more! Binge the entire season early and ad-free starting February 7th by subscribing to Pushkin+ on our Apple show page or at pushkin.fm/plus. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was

James Fauntleroy is one of the most prolific pop songwriters of the past 15-plus years. Some of his most prized placements include writing songs for Beyoncé, Rihanna, Justin Timberlake and Bruno Mars. He’s also contributed background vocals to songs by Travis Scott, Jay-Z and his longtime friend, the late Nipsey Hustle. Similar to his music industry idol and mentor Babyface, James Fauntleroy is also an artist in his own right. While his songs have lived on streaming platforms over the past decade, in December James released his official debut album, The Warmest Winter Ever—a Christmas album put through the Fauntleroy filter. On today’s episode Justin Richmond talks to James Fauntleroy about why he decided to drop his debut album well over a decade into his career. He also explains how hundreds of his songs were stolen and posted online by international hackers. And why he considers both Weird Al Yankovic and John Mayer among some of his biggest musical influences. You can hear a playlist of some of our favori

The Baltimore-based synth-pop band Future Islands was first thrust into the national spotlight in 2014 after making their TV debut on The Late Show With David Letterman. The band’s unassuming frontman Samuel T. Herring danced ecstatically around the stage seething with emotion. The performance quickly went viral, making it one of Letterman’s most memorable live appearances of all time. At the time of their big break, Future Islands had already released three albums and been touring relentlessly for nearly a decade. And while they would become one of the most prominent bands on the festival circuit for the next several years, Future Islands has always maintained a sense of unparalleled raw vulnerability on-stage—in part because of the deeply confessional nature of Sam’s songwriting and electric stage presence. On today’s episode Leah Rose talks to Future Islands lead singer Samuel T. Herring about the band’s latest album, People Who Aren’t There Anymore. Samuel also describes the physical toll his energetic pe

Sleater-Kinney has long been a safe space for band members Carrie Brownstein and Corin Tucker. What started as a group born out of the feminist punk riot grrrl scene in Olympia, Washington in the early 90s, has grown into a life-affirming artistic endeavor. In late 2022, tragedy struck when Carrie’s mother and stepfather were killed in a car accident overseas. In the months after, Carrie found a respite from her immense grief by playing the guitar for hours on end, and writing new music. Sleater-Kinney’s latest album, Little Rope, is in part a meditation on Carrie’s grief, but it’s also proven to be a triumph for the band. Corin Tucker, who handles the bulk of the singing on the new album, has been racking up rave reviews, including one from the New Yorker who noted that Corin’s performance is the most dynamic and flexible of her career. On today’s episode, Bruce Headlam talks to Carrie Brownstein and Corin Tucker about their intimate recording relationship, and how their sometimes opposing approaches to crea

2023 has been a helluva year for singer/songwriter Noah Kahan. Just three years ago he started uploading snippets of his indie-folk songs to TikTok while waiting out the pandemic at his dad’s house in rural Vermont. Those songs quickly caught fire across social media and eventually turned into Noah’s most recent album, Stick Season. After releasing collaborations with Kacey Musgraves, Hozier, and Post Malone, Noah has amassed 4 billion streams globally. It’s no surprise that last month he was nominated for the Best New Artist Grammy. On today’s episode Leah Rose talks to Noah Kahan about navigating his often overwhelming new-found success, and how he feels about being labeled the new “sensitive woodsman” singer/songwriter du jour. Noah also opens up about initially being embarrassed about his singing voice, and his plans for evolving his sound on his next album. You can hear a playlist of some of our favorite Noah Kahan songs HERE.See omnystudio.com/listener for privacy information.

Ludwig Göransson is one of the most accomplished and distinctive film composers of the 21st century. In 2020, after working on the movie Tenet together, acclaimed director Christopher Nolan hired Göransson to score what has become one of the biggest movies of 2023: Oppenheimer. Ludwig, who emigrated to Los Angeles from his native Sweden in 2007, has racked up dozens of writing, producing and scoring credits. He started out working in TV and he eventually started scoring films with his old college friend Ryan Coogler. Ludwig composed music for all of Coogler's hit movies including Fruitvale Station, the Creed series, and both Black Panther films—the first of which won him the Academy Award for Best Original Score in 2019. On today’s episode Justin Richmond talks to Ludwig Göransson about his incredible body of work as a composer and producer. He explains how his rigorous musical training in Sweden prepared him to write the complex sections of the Oppenheimer score. Ludwig also plays some of the more moving sec