Cities And Memory

"The piece combines a field recording taken from UNESCO World Heritage sites with instrumentation that can be electronic or acoustic. Its aesthetics are based on the theme of the sampler: the sea and the waves. "Posidònies i ones." serves as the epilogue to a series of ten compositions grouped under the title: "Hipervida. Book 1. Abans que jo, tots els éssers." "One spring, we collected posidonia from the beaches of Mallorca. Back then, my young daughter still could not speak—she only laughed and babbled while playing, her feet in the water, among the waves and the posidonia. "The only inheritance I have left from that day is the dried posidonia resting on my bookshelf, between John Cage’s books and a moudy orange. "My daughter now speaks, and although she still laughs, she no longer plays as much. In a way, she is no longer the same. Though I must admit, I have also changed. In an impermanent existence, the only thing that anchors us to ourselves and protects us from the waves of the infinite cycle of bir