Broken Record

Today we're sharing an episode from another Pushkin podcast we love called The Last Archive. The fourth season of The Last Archive just dropped and it's full of truly unexpected stories and big ideas. The episode you will hear today, "Player Piano," is an audio biography of one of the most famous composers of the 20th century who most people have never heard of: Raymond Scott. He wrote tons of hits in the '30s and since then his music has been sampled by Lizzo, J. Dilla and the Gorillaz. Aside from being an avid composer, Scott was also an inventor. And later in his life, he was hired by Motown Records to create a machine that could help people write songs. He called it The Electronium. Today's episode is a crazy piece of musical history, and just a wild story. Be sure to subscribe to The Last Archive to hear other episodes about time travel, invasive species panics, freelance wiretappers-turned-evangelists, and secret science fiction family histories, and more.See omnystudio.com/listener for privacy informat

Santigold is an artist who exists at the cross-section of punk, dub, new wave and indie pop. Long frustrated with attempts like these to classify her style, Santi has always been a proud outlier among the restrictive categories used to divide music. Santi’s anti-establishment bent was in part a reaction to working as an A&R for Epic Records’ black music department. Frustrated with what they categorized as “urban music” in the early aughts, Santi left her job, went home to Philly, and started a punk band called Stiffed. After honing her chops for a few years as a lead singer, Santi released her debut solo album, Santigold in 2008. The album’s lead singles “Creator” and “L.E.S. Artistes” were a revelation when they came out, and led to Santi headlining tours around the world and even opening shows for Bjork, Coldplay, Jay-Z and the Beastie Boys. Now with three other albums to her credit, including last year’s soul-stirring Spirituals, Santigold is celebrating the 15th anniversary of her debut release. And t

Albert Hammond Jr. first rose to prominence as the lead guitarist of The Strokes—a band at the forefront of New York City’s indie rock renaissance in the early aughts. In 2007 Albert Hammond Jr. launched his solo career, putting his songwriting and abilities as a frontman to the test. He’s now released five albums, including, Melodies On Hiatus, which came out just a couple months ago. It’s a double album that he co-wrote with Canadian singer Simon Wilcox, and features collaborations with GoldLink and Matt Helders from the Arctic Monkeys. On today’s episode, Albert Hammond Jr. and Justin Richmond talk about how he was dramatically impacted by his parents’ recent divorce, despite the fact that he’s in his early 40’s. Albert also reminisces about his past life as a champion roller skater who was once scouted by Kristi Yamaguchi’s Olympic ice skating coach. And he explains why he’d never been a fan of Radiohead or Led Zeppelin. You can hear a playlist of some of our favorite Albert Hammond Jr. songs HERE.See omn

Paul Simon is one of the greatest living songwriters. Since debuting with Art Garfunkel in 1957, Paul Simon has written countless songs quintessential to the American psyche. This year, at 81 years old, he’s released the latest addition to his beloved catalog, Seven Psalms, to an outpouring of critical acclaim. In 2021, Malcolm Gladwell and Bruce Headlam released the audiobook, Miracle And Wonder: Conversations with Paul Simon. It’s an intimate look into Simon’s songwriting alongside never-before-heard live studio versions of hits including “The Boxer," “The Sound of Silence," and “Graceland.” This fall, we'll also be releasing an updated version of the audiobook with a brand-new chapter featuring even more from Malcolm and Paul's newly-recorded deep dive into Seven Psalms, some of which you'll hear today. To celebrate the latest chapter in Paul Simon’s 65-year-career, on today’s episode Malcolm Gladwell sits back down with Paul to discuss the creation of his latest album. Paul explains why he feels music rev

Over the course of his 35-year career, Damon Albarn has reached international fame with two very different bands. In 1988, Damon created the rock band Blur with three friends in his native London. Blur started out as what Damon calls a “classic art school band.” They quickly moved to the forefront of the ‘90s Britpop explosion along with their formal rivals, Oasis. After a series of successful albums with Blur, Damon started Gorillaz in 1998 with cartoonist Jamie Hewlett. Dubbed as the world’s first virtual band, the Gorillaz rotating lineup includes collaborations with De La Soul, Stevie Nicks, Bobby Womack and Lou Reed. The band pulls influence from electronic music, hip-hop and world music, and over the last 25 years, Gorillaz has been wildly successful—selling over 30 million albums worldwide. Despite having found such success, Damon has never stopped exploring his artistic potential. He’s written an opera, released solo and side projects, and recently, he reunited with Blur to release the band’s latest a

In September, Ben Gibbard, the founder of Death Cab For Cutie, will set out on a nationwide tour to celebrate the two very different albums that have come to define his career. Both albums came out in 2003. The first was called Give Up, and it was a collaboration with his friend and producer Jimmy Tamborello. They’d made it while Gibbard was taking a break from the relentless cycle of touring and releasing music with Death Cab. They called their new band The Postal Service. Give Up steadily built momentum, found critical acclaim, and eventually became Gibbard’s first platinum selling record. Musically, the Postal Service incorporated various synth and new wave-inspired elements behind Gibbard’s confessional songwriting style, which set a precedent for many of the indie releases over the following decade. Later that same year, Gibbard went back to his band roots and released Death Cab For Cuties’ breakthrough album, Transatlanticism. This fall Gibbard and his band will play both Transatlanticism and Give Up in

Long regarded as pop music’s resident party animal, Kesha is now dead-set on slowing down and speaking up. Since debuting on the hook of Flo-Rida’s mega smash “Right Round” in 2009, Kesha has released five albums—two of which debuted at number one. And until very recently, she was involved in a decade-long court case with her former producer and label head. Somehow despite the bitter legal battle and a public struggle with an eating disorder, Kesha has remained steadfast in sharing her art with her fans, who she affectionately refers to as her “animals.” On today’s episode Justin Richmond talks to Kesha about how working with Rick Rubin on her new album Gag Order provided the safe space she has longed for when making music. She also talks about how she channels Dolly Parton, Iggy Pop and Beyonce when she’s in promotional mode, and how early in her career she lived in a castle with roommate Devendra Banhart. You can hear a playlist of some of our favorite Kesha songs HERE.See omnystudio.com/listener for privac

Rickie Lee Jones hit it big with her debut album in 1979. The following year she won the Grammy for Best New Artist, and over the course of the next four decades, she released numerous albums that pulled inspiration from jazz, rock, electronic music, and even musical-theater. In late April, Rickie released her latest album, Pieces Of Treasure, where she sings songs from the American songbook with a jazz slant. Producer Russ Titelman, who produced Rickie’s first two albums, reunited with her on her latest and helped inspire Rickie to find comfort in a lower register. The result is an oftentimes sultry meditation on aging and survival. On today’s episode Bruce Headlam talks to Rickie Lee Jones about her decades-long fight to sing jazz even though she is often viewed as an outsider. She also tells stories about leaving home as a young teenager, and the abuse she endured while trying to survive on her own. And she plays songs from her career including one she wrote after seeing John Lennon appear in a dream. And

Singer/songwriter Caroline Rose has always been a character. Her music videos often feature Caroline as the screwball lead, navigating ambition, desire and super stardom. Now, on her latest album, The Art of Forgetting, Caroline is shedding all of the past pretense and offering up an unflinching look into her inner life in the midst of personal turmoil. The result is an album packed with clever lyricism and soaring arrangements produced by Caroline with help from Nick Sanborn of Sylvan Esso. On today’s episode, Broken Record producer Leah Rose talks to Caroline Rose about why she wanted to set her living room on fire for the sake of her album art. Caroline also shares an early demo of a song she wrote under a starry desert sky, and she explains how aside from herself, Caroline’s parents are her harshest critics. You can hear a playlist of some of our favorite Caroline Rose songs HERE.See omnystudio.com/listener for privacy information.

Hip-hop super producer Hit-Boy has helped create some of the biggest hits of the last decade. His discography includes classic songs with Jay-Z and Kanye West, Travis Scott, Kendrick Lamar, Beyonce, and Rihanna. His crowning achievement however are the series of albums he's produced for Nas including King's Disease and Magic. On today's episode Justin Richmond talks to Hit-Boy about how he recently introduced a new, but old, piece of equipment into his beat-making process. He also talks about the years-long process of making a beat on Beyonce's Renaissance, and he explains his creative process with Nas and how they have been able to lock in and create some of the best work of Nas's career. You can hear a playlist of some of our favorite Hit-Boy songs HERE.See omnystudio.com/listener for privacy information.

Moby never stops working. His first taste of mega-success came in the early aughts after the release of his multi-platinum album, Play. In the years since, he's released 19 more studio albums including his latest, Resound, NYC, where he re-orchestrates songs he recorded between 1994-2010. Moby has also spent a good deal of the last two decades unpacking his own unconventional upbringing and his meteoric rise to fame. He’s released two extensive memoirs, and he recently directed “Punk Rock Vegan Movie,” which explores the connection between two of his greatest passions: punk rock and animal rights. On today’s episode Leah Rose talks to Moby about his compulsive desire to make music and why he’s cut out nearly all IRL socialization as a result. Moby also reminisces about the massive party pad he bought in upstate New York that led to years of all-out debauchery. You can hear a playlist of some of our favorite Moby songs HERE.See omnystudio.com/listener for privacy information.

Arlo Parks is one of the most compelling voices of her generation. Born in London, the 22-year-old snagged the Best New Artist trophy at the Brit Awards in 2021 in part because of her breakout single “Eugene,” about an unrequited crush. Arlo’s songwriting is a vivid exploration of the euphoria and heartbreak that comes with being young and in love. This month, Arlo Parks will release her sophomore record, called “My Soft Machine.” She collaborated with producers who worked with Brockhampton, SZA and Frank Ocean. The album unpacks the anxiety of feeling lost in your 20s, and navigating the uncertainty of life with grace. On this week’s episode, Justin Richmond talks with Arlo about how seeing Black creators pushing the boundaries of popular music inspires her. She also explains how taking long drives around LA shaped the sound of her new album, and how she first started writing songs at just seven years old. Plus, we’ll hear Arlo play three of her singles live from the Village Studios in Los Angeles. You can h

Canadian-born singer/songwriter Feist has been one of the most dynamic indie voices of the last two decades. Last month she released her sixth album, Multitudes. She recorded it in the aftermath of tremendous personal loss and change. In late 2019 Feist adopted a baby just months before the pandemic started. About a year later, her father died suddenly. Multitudes is a raw, intimate look at how she grappled with deep-seated grief and a new kind of love. On today’s episode Leah Rose talks with Feist about how being assaulted in high school ultimately led to her gaining resilience. Feist also remembers the day her music career began when was asked to front a hardcore punk band, and how screaming on stage–and ultimately blowing out her voice–forced her to develop her intimate, career-defining singing style. You can hear a playlist of some of our favorite Feist songs HERE.See omnystudio.com/listener for privacy information.

Kenny “Babyface” Edmonds is a pillar of contemporary R&B. As a producer and songwriter, Babyface’s discography includes hits for powerhouse vocalists like Aretha Franklin, Whitney Houston, Beyonce, Ariana Grande, and Stevie Wonder. Although Babyface’s career is most often associated with pop hits, he started writing songs in the singer/songwriter tradition, pulling influence from James Taylor and The Beatles. On today’s episode Justin Richmond talks to Babyface about the childhood crushes he had that continue to inspire his songwriting today. He also plays a song he wrote in high school that he considers one of the best songs he's ever written. And he reveals how he was on the verge of making new music with Whitney Houston a month before she died. You can hear a playlist of some of our favorite Babyface songs HERE.See omnystudio.com/listener for privacy information.

Today, we’re bringing you a preview of a new audiobook, So Many Steves. Steve Martin is more candid than he’s ever been about his creative life in this engrossing audio-biography centered around a series of conversations recorded over many afternoons at home with his friend and neighbor, writer Adam Gopnik. You can get So Many Steves, exclusively on audio, now at https://www.pushkin.fm/audiobooks/so-many-steves-afternoons-with-steve-martin or wherever you get your audiobooks.See omnystudio.com/listener for privacy information.

Today we have part two of our run of interviews with The National in celebration of their new album, First Two Pages of Frankenstein. Last week Broken Producer producer Leah Rose talked to guitarist and composer Aaron Dessner, and today Leah picks up the conversation with the band’s lead singer, Matt Berninger. Matt, whose fear and anxiety are often on full display in his songwriting, talks about overcoming a debilitating bout of depression in the period before he started writing songs for the new album. He also explains how the combination of weed and iced tea help him spark creativity. And why he hopes his songwriting impresses Phoebe Bridgers and Taylor Swift. You can hear a playlist of some of our favorite songs from Matt Berninger and The National HERE.See omnystudio.com/listener for privacy information.

Today we’re kicking off a two-part series of interviews with members of The National, who just released their ninth album, First Two Pages of Frankenstein. Today’s conversation is with Aaron Dessner, The National’s guitarist and oftentimes lead composer. Outside of The National, Aaron is also a prolific producer, having worked with a slew of artists, including, most famously, Taylor Swift. During the pandemic Dessner and Swift teamed up to write music that would eventually become Taylor’s critically acclaimed indie-leaning albums Folklore and Evermore. On today’s episode Broken Record producer Leah Rose talks to Aaron Dessner about how an invitation to open an arena tour for Bon Iver led to him writing the music that he would eventually share with Taylor Swift. Aaron also talks about how The National almost came to a breaking point after a grueling tour schedule, and he opens up about his battle with depression as a teenager and how his twin brother Bryce carried him through it. You can hear a playlist of som

Roger McGuinn is best known as the driving force behind The Byrds. But McGuinn is also a preservationist of traditional folk music. For the past 27 years he’s been re-recording traditional folk songs and sharing them on  a section of his website called The Folk Den. On today’s episode Rick Rubin talks to Roger McGuinn about his decades-long career, which started in the early ‘60s at Greenwich Village cafes where he played with the likes of Bob Dylan and Richie Havens. McGuinn reminisces about the vibrant music scene in LA, and he also talks about meeting his Byrd’s bandmate David Crosby. We’ll also hear Roger McGuinn play his guitar throughout the interview, and talk about how playing basketball with Bob Dylan helped inspire Dylan’s storied tour, the Rolling Thunder Revue. You can hear a playlist of some of our favorite Roger McGuinn and The Byrds songs HERE.See omnystudio.com/listener for privacy information.

Today, we’re sharing a fantastic episode from a podcast we love, Louder Than A Riot from NPR Music. Louder Than A Riot connects the stories of hip-hop's biggest artists to socio-political changes we’re going through right now. This season, Louder Than A Riot is tackling the connection between hip-hop and misogyny. Hosts Sidney Madden and Rodney Carmichael dig into the unwritten rules of rap that have marginalized Black women for decades, and highlight the rule breakers who refuse to play nice. Today's episode tells the story of the first female MC, MC Sha-Rock. She’s a rapper from The Bronx and former member of the Funky 4 Plus One More who laid the foundations of rap as we know it. But even though she’s a pioneer, Sha’s name often gets left out of conversations around the history of hip-hop. Why is that? Because decades ago, Sha-Rock had to deal with the hurdles that so many women in rap still face today: Getting tokenized by her own peers and played by the industry. You’re about to hear the story from the p

George Clinton revolutionized funk music with Parliament Funkadelic, whose theatrical, sci-fi, performance art has captivated audiences worldwide for over five decades. P-Funk’s blend of psychedelic rock and deep, repetitive funk grooves helped bridge the R&B and rock worlds in the ‘70s along with acts like Sly and The Family Stone. Known as Dr. Funkenstein, George Clinton orchestrated multiple solo acts under the P-Funk umbrella. By the ‘80s, Clinton was also charting as a solo artist with hits like “Atomic Dog,” all of which would later lay the groundwork for hip-hop’s classic G-Funk era. On today’s episode Rick Rubin talks to George Clinton on Zoom about the origins of his original vocal group, The Parliaments. George also reminisces  about the time he dared James Brown to do the splits 18 times in a row while on a music industry panel with Madonna and the Red Hot Chili Peppers. You can hear a playlist of some of our favorite George Clinton and Parliament Funkadelic songs HERE.See omnystudio.com/listen