Pod Academy

The Politics of the Visual 3: Music videos – love, music, compromise

Informações:

Sinopsis

The music video:  "What had been a liberating possibility for visual artists working in film, to bring their work towards a wider audience, without the pressure of narrative, without the necessity to tell stories, has become an absolutely fixed promo for the consumerism aimed at the youth market". So says Professor Rod Stoneman in this, the third in Pod Academy’s series based on his book, Seeing is Believing: the Politics of the Visual. which is produced and presented by Esther Gaytan Fuertes. In this podcast, Rod Stoneman talks about the visual experimentation made possible by the music video, which pushes the boundaries of mainstream narrative film. You can find other podcasts in the series here: Podcast 1 on Fashion images and Podcast 2 on graffiti Rod Stoneman: This image [above] comes from a film called Berlin Horse made by Malcolm Le Grice in 1970, an experimental film from the London Filmmakers’ Co-op. And it’s a striking visual image made from permutations of colour printing, using loops, a horse goin