Keen On

How religious was the 80s creative scene? Very. At least according to Paul Elie, whose intriguing new cultural history, The Last Supper, charts the art, faith, sex and controversy of the 1980s. Elie argues that this was the age of what calls “crytpo-religious” art - a intensely creative decade in which religious imagery and motifs were often detached from conventional belief. Beginning in 1979 with with Dylan’s “Christian” album Slow Train Coming and ending with Sinéad O'Connor's notorious SNL tearing up of a photo of the Pope, Elie presents the 80s as a "post-secular" era where religion remained culturally significant despite declining traditional belief. And he argues that artists as diverse as Leonard Cohen, Salman Rushdie, Andy Warhol, U2, Robert Mapplethorpe and Wim Wenders all translated their religious upbringings into books, movies, songs and artwork that shaped a momentously creative decade. Five Key Takeaways* "Crypto-religious" art uses religious imagery and themes